A review by foreveristhesweetestcon
Tipping the Velvet by Sarah Waters

adventurous emotional medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

Tipping the Velvet certainly started out great. I was immediately impressed by the marked and beautiful prose Waters wrote with. It was the kind of writing that made you pause and marvel and want to live in the author’s thoughts forever. The novel also began with a very compelling romance as well as adequate pacing—I fell almost as much as in love with Kitty as Nan did (little did I know, there would be so much more to the novel). 

It’s one of those books that you need to be interested in the subject matter to fully enjoy and appreciate, however. Nan King’s 1890s London greatly paralleled the Prohibition-Era New York that I wrote my APUSH research paper about, so I was certainly intrigued by all the music halls, the cross-dressing, the toms and mary-annes. And you can tell Waters had done her research. However, between the drastic plot changes and sometimes dragging scenes of unlikeable characters, there were quite a few times when Waters lost my attention. That being said, the gorgeous prose and Nan’s multidimensional development were reason enough for me to finish the novel. 

And I am glad I kept going. I was often rewarded by reappearances of important characters—Florence and Kitty, of course, but also Zena, Diana, Billy-Boy (though I would have also loved to catch a glimpse of Mrs. Milde and Gracie again). I did not love the ending (I think I had issues with the pacing—too slow in the middle, too rushed at the end), but Nan’s development into a much more honest, hardened, and loyal individual was incredibly worthwhile. 
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