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A review by richardbakare
The House of the Spirits by Isabel Allende
4.0
In “The House of Spirits” Isabel Allende explores three generations of a family pulled through every imaginable situation and emotion. This is a heavy book with lots of dark topics and scenes. Don’t go looking for happy endings, but you will find lots of philosophical affirmations on the realities of life. Key events include political upheaval, finding love, heartbreak, death and rebirth. Circumstances, as portrayed in this book, that form a vicious cycle that leaves nothing but ashes in its wake.
Isabel Allende demonstrates a mastery of her craft with every chapter. She uses all her powers to deliver something wholly brilliant in its own right. Her writing and plot development made this tome read faster and more fluidly than its near 500 pages would indicate. She has made a name for herself in the Magical Realism genre on par with Marquez and his timeless “100 Years of Solitude.” For all the dark moments, Allende still manages to infuse the pages with a carnival of impressive characters. Along with moments that induce a deep belly laugh and joy.
That’s perhaps why I like this genre so much. It offers beautifully endearing madness at every corner. That crazy portrayal of life is also a medium to discuss various perspectives on religion, mysticism, politics, and class struggles. Explorations that almost always lead to the ideological dissolution of beliefs held too dear and not critiqued objectively. I highly recommend this book for those who love this genre. However, here is a helpful trigger warning if sexual and political violence are too painful to bear reading.
Isabel Allende demonstrates a mastery of her craft with every chapter. She uses all her powers to deliver something wholly brilliant in its own right. Her writing and plot development made this tome read faster and more fluidly than its near 500 pages would indicate. She has made a name for herself in the Magical Realism genre on par with Marquez and his timeless “100 Years of Solitude.” For all the dark moments, Allende still manages to infuse the pages with a carnival of impressive characters. Along with moments that induce a deep belly laugh and joy.
That’s perhaps why I like this genre so much. It offers beautifully endearing madness at every corner. That crazy portrayal of life is also a medium to discuss various perspectives on religion, mysticism, politics, and class struggles. Explorations that almost always lead to the ideological dissolution of beliefs held too dear and not critiqued objectively. I highly recommend this book for those who love this genre. However, here is a helpful trigger warning if sexual and political violence are too painful to bear reading.