Scan barcode
A review by bisexualwentworth
Misrule by Heather Walter
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
Thank you to NetGalley and the publisher for the eARC of this book. All opinions are my own.
I really liked Malice when I read it last year, and I wasn’t sure the sequel was going to hold up. To my pleasant surprise, I liked Misrule even more.
It’s been one hundred years since Aurora fell into an enchanted sleep and Alyce burned most of the kingdom of Briar to the ground. All but one of the side characters are dead. Alyce, now going by the name Nimara, rules over the Dark Court, a place of refuge for all the creatures who are welcome neither are the fae courts nor in the human realms.
Misrule is a very different beast from Malice. This is a book about morality, about moral greyness, about collective memory and trauma, about personal and cultural growth, and about the very concepts of good and evil. Everyone in this book does awful things, and no one in it feels fully irredeemable. Needless to say, I was impressed.
There were a lot of plot twists that I didn’t see coming and that were executed very well. The character of Derek in particular was utilized in some very interesting ways. I won’t say more than that because I want readers to be able to go on that journey themselves.
And of course, the sapphic element of this book is fantastic. The romance is much less important here than it was in book one, but I loved the way that Heather Walter explored Alyce/Nimara and Aurora’s relationship. If you’re okay with fictional relationships being angsty and a little fucked up, I think you’ll enjoy this one.
The beginning of the book was slow and very confusing, mostly because nothing was the same from book one, but once the plot got going, I read through to the end in two days.
I do have one major issue with this book, and it’s more of an issue because it seems to be a pattern in Heather Walter’s work: the only important character who is firmly stated to be a dark-skinned person of color dies in service of the nonhuman but white-coded main character’s growth. This happened in Malice as well, and there simply is no excuse for this in 2021/2022.
I really liked Malice when I read it last year, and I wasn’t sure the sequel was going to hold up. To my pleasant surprise, I liked Misrule even more.
It’s been one hundred years since Aurora fell into an enchanted sleep and Alyce burned most of the kingdom of Briar to the ground. All but one of the side characters are dead. Alyce, now going by the name Nimara, rules over the Dark Court, a place of refuge for all the creatures who are welcome neither are the fae courts nor in the human realms.
Misrule is a very different beast from Malice. This is a book about morality, about moral greyness, about collective memory and trauma, about personal and cultural growth, and about the very concepts of good and evil. Everyone in this book does awful things, and no one in it feels fully irredeemable. Needless to say, I was impressed.
There were a lot of plot twists that I didn’t see coming and that were executed very well. The character of Derek in particular was utilized in some very interesting ways. I won’t say more than that because I want readers to be able to go on that journey themselves.
And of course, the sapphic element of this book is fantastic. The romance is much less important here than it was in book one, but I loved the way that Heather Walter explored Alyce/Nimara and Aurora’s relationship. If you’re okay with fictional relationships being angsty and a little fucked up, I think you’ll enjoy this one.
The beginning of the book was slow and very confusing, mostly because nothing was the same from book one, but once the plot got going, I read through to the end in two days.
I do have one major issue with this book, and it’s more of an issue because it seems to be a pattern in Heather Walter’s work: the only important character who is firmly stated to be a dark-skinned person of color dies in service of the nonhuman but white-coded main character’s growth. This happened in Malice as well, and there simply is no excuse for this in 2021/2022.
Content Warnings
Graphic: War, Death, and Violence
Moderate: Murder, Grief, Slavery, and Death of parent
Minor: Gore
Additional content warning for the sort of dubious consent inherent in a sleeping beauty retelling.