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A review by fhirdiad
She Who Became the Sun by Shelley Parker-Chan
adventurous
dark
sad
medium-paced
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
ARC provided by the publisher.
This book is brutal in that my heart feels vaguely beaten up and I wanna go lie down. Shelley Parker-Chan did not hold back at any point and delivers a story with grounded violence, political intrigue and authentic discussions about gender, identity and gender expectations regarding multiple characters in the book, all packed into a tightly woven main plot about ambition and what becomes of you when you sacrifice everything to get what you want.
Set against the backdrop of a rebellion in the Mongol Empire's occupied China, we primarily follow Zhu Chongba, who as a child joined a monastery posing as her dead brother, and Ouyang, known as the Eunuch General, and their entwined stories about revenge and the fine line it treads with ambition. Every character in this is as messy as they come and the twists and turns in the plot are mimicked in these characters arcs; every character is involved in solid political intrigue but also are battling internal struggles about gender, expectations and what they believe are their pre-ordained fates. Ouyang was by far my favourite and is a masterfully written morally grey character, but just one of many. Every character in this book is chasing greatness and is dragged down by what greatness demands of them. Esen, a Mongolian prince and Ouyang's closest friend, Ma Yingzi, a woman haplessly dragged into rebellion politics and Baoxiang, Esen's brother who has shameful little interest in war, round out the brilliant, compelling cast of characters and with each of them comes complexity and fantastic dialogue. It was a joy to read a book where there's not a single character who is doing things without an ulterior motive; it keeps you guessing and I love all these horrible little people.
There is an epic scope to the plot - it deals with one of the largest Empire's rule, a rebellion and therefore war - but character stakes feel meticulous and intimate so even when plot was rapid and violent, I was deeply concerned with the decisions characters were making as well as their developing relationships. This book is not only very good at shaping grey morality, but the yearning in this book.... I'll be returning to that drunk Esen scene multiple times just to cry I think. In general the emotional dialogue in this book is gut-wrenching. The plot was interesting - if you know me, you know I love political fantasy and so I ate this right up - and the characters back it up so well that by the end I was crying in disbelief even when events came to their natural. inevitable conclusion. I think the pacing at the beginning was a little off in that it's a lot of set up with time jumps, but it's absolutely forgivable because the plot unfolding for the following 75% was brilliant and I sped through it just to be beaten up by a powerful, brutal ending.
Anyway I want book two and Shelley I'll be emailing you my therapy bills.
This book is brutal in that my heart feels vaguely beaten up and I wanna go lie down. Shelley Parker-Chan did not hold back at any point and delivers a story with grounded violence, political intrigue and authentic discussions about gender, identity and gender expectations regarding multiple characters in the book, all packed into a tightly woven main plot about ambition and what becomes of you when you sacrifice everything to get what you want.
Set against the backdrop of a rebellion in the Mongol Empire's occupied China, we primarily follow Zhu Chongba, who as a child joined a monastery posing as her dead brother, and Ouyang, known as the Eunuch General, and their entwined stories about revenge and the fine line it treads with ambition. Every character in this is as messy as they come and the twists and turns in the plot are mimicked in these characters arcs; every character is involved in solid political intrigue but also are battling internal struggles about gender, expectations and what they believe are their pre-ordained fates. Ouyang was by far my favourite and is a masterfully written morally grey character, but just one of many. Every character in this book is chasing greatness and is dragged down by what greatness demands of them. Esen, a Mongolian prince and Ouyang's closest friend, Ma Yingzi, a woman haplessly dragged into rebellion politics and Baoxiang, Esen's brother who has shameful little interest in war, round out the brilliant, compelling cast of characters and with each of them comes complexity and fantastic dialogue. It was a joy to read a book where there's not a single character who is doing things without an ulterior motive; it keeps you guessing and I love all these horrible little people.
There is an epic scope to the plot - it deals with one of the largest Empire's rule, a rebellion and therefore war - but character stakes feel meticulous and intimate so even when plot was rapid and violent, I was deeply concerned with the decisions characters were making as well as their developing relationships. This book is not only very good at shaping grey morality, but the yearning in this book.... I'll be returning to that drunk Esen scene multiple times just to cry I think. In general the emotional dialogue in this book is gut-wrenching. The plot was interesting - if you know me, you know I love political fantasy and so I ate this right up - and the characters back it up so well that by the end I was crying in disbelief even when events came to their natural. inevitable conclusion. I think the pacing at the beginning was a little off in that it's a lot of set up with time jumps, but it's absolutely forgivable because the plot unfolding for the following 75% was brilliant and I sped through it just to be beaten up by a powerful, brutal ending.
Anyway I want book two and Shelley I'll be emailing you my therapy bills.
Content Warnings
Moderate: Misogyny, Body shaming, and Homophobia
Minor: Violence and Gore
One main character is a eunuch and has a lot of self-hatred about his body, as well as experiencing both sexualisation (people compare him to a woman) and disgust (people compare him to an animal or creature) from side characters