A review by sophee_568
Frankenstein in Baghdad by Ahmed Saadawi

challenging dark medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? N/A
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? It's complicated

3.25

Let's start by saying that I have no idea how to rate this book. This was a challenging read because of the amount of violence and death. I am aware this book was purposefully written and it was a clever choice to convey the story through the known tale of Frankenstein and his monster. Essentially, this is a story about death, the meaning of justice, how different people view it, how they put it into effect, and the differences between innocence and guilt. Who has the right to decide what is wrong or right, or who is innocent and who is a criminal?
The story takes place in U.S.-occupied Baghdad. The story follows a cast of Baghdad citizens showing how they navigate a city torn by bomb explosions. It shows the growing disparities between Sunnis and Shiites paramilitary troops and the American military troops trying and ultimately failing to bring peace into the city. One of the characters is Hadi, a scavenger who spends most of his time at a local cafe telling stories about his life to anyone willing to listen. Hadi is the Frankenstein of this novel but an accidental one. He collected body parts of the bombing victims and stitched them together to form one whole body, which resided in his shed. What brought it to life was a wondering lost soul who needed a body. It rose from the table and fled into the night. From then on Hadi's creation, called Whatsitsname or Criminal X, decided his mission was to avenge the death of people whose body parts formed his. That mission turned out to be more difficult than it seemed because every time he avenged a person or failed to do so, the body parts started to fall off. That propelled him to constantly look for more body parts, which led him to start murdering innocent people. That's where the innocent vs. guilty debate comes in. How can you know if someone is innocent or not when you see them on the street? If you witness a shoot-out on the street you may think they are criminals, guilty of murder, but that label might only fit at that moment. Before that, couldn't they have been innocent people, leading ordinary lives, who were forced to engage in combat? Who is the real enemy? That is a nerve-wracking topic to explore. As Saadawi said in an interview: "The book is a manifesto against war. It is critical of the American occupation, the former regime, and the current regime." I think the main idea was for the reader to see how senseless and pointless war is.
All the characters in this story come from different ethnic and religious backgrounds but face the same problem of staying alive. They have all been traumatized by war. Elishva lost her son in battle, and Hadi lost his best friend to a bomb explosion. It is a horrible and scary life to live. By the end, many characters will have either died or moved away. Unfortunately, I didn't find myself emotionally invested in the story. Perhaps that is due to the number of characters or the constant switching of POV between the characters. The book is divided into 19 chapters, every chapter having 5 parts. I thought each chapter was going to follow only one character, but after the 5th chapter POVs were constantly switching. I would have preferred for the chapters to have only one POV.
One thing that bothered me was the lack of female characters. Elishva is the only female main character, and she is portrayed as 'crazy' because she cannot deal with her son's death. The way Mahmoud (also one of the main characters) thinks about and treats Nawal is awful. He seemed like a decent character until he forced himself on her. Not to mention the way he treated the prostitute he was with. Those instances made me feel uneasy.
Overall I am giving this book 3 stars because I wasn't that impressed with the execution of the novel. I probably won't read it ever again.

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