Scan barcode
A review by aksmith92
The Sword of Kaigen by M.L. Wang
adventurous
challenging
dark
emotional
inspiring
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
6/5 stars. This novel is a testament to the author's skill, delivering a devastating and poignant yet beautifully written story that will leave a lasting impact.
The Setup: Mamoru is a Matsuda. Meaning he was born into a line of people resembling gods. Matsudas possess a unique magic form called jijaka, someone able to control water. Well, those in Kaigen can all be jijakalu, but Matsudas have the unique ability to take their control of water even further and take water molecules to make something called a Whispering Blade, a sword of ice that can cut through literally anything. Matsuda boys and men are trained early as warriors, serving the Kaigen empire wholeheartedly and rigidly. They live and train on the Kusanagi Peninsula, known as the Sword of Kaigen, and are the first to defend the Empire's enemies. Mamoru is fourteen, in school, and is one of the best warriors of his age. Thankfully, "warrior" is more of a title than anything; Kaigen and the rest of Danu, the world everyone lives in, have maintained peaceful relations, and there hasn't been a war since the Keleba, the only war that occurred in Danu's history. Mamoru is going to school, hanging out with his friends, trying not to fall asleep in history class, and, of course, training. He is determined to master the Whispering Blade and be the youngest to do so. Therefore, much of his time is spent mastering his jiya and trying to prove to his father that he is focused and talented.
In tandem, Misaki, Mamoru's mother, is battling fifteen years of, for lack of better words, boredom and anger. Misaki was also a warrior, as she spent her teenage years at a school in Carytha, another country in Danu, mastering her jiya and another magic: Blood Needle, the ability to control a small amount of the blood inside their victim's body and freezes it in the shape of a needle. This jijaka technique is specific to the Tsusano family, Misaki's bloodline before she married a Matsuda. She spent time at this school mastering her sword skills and even partnered with a crew of kids her age to fight crime. However, Misaki is from Ishihama, a town in Kaigen, meaning that she knew that her main role in life would be to marry into a powerful bloodline and bear his children, specifically sons. She made the incredibly challenging choice once she was of age to stay back on Kaigen and marry Takeru Matsuda. But life is not easy, and she struggles without a sword on her hip.
The narrative delves into the emotional journeys of both Mamoru and Misaki, revealing Mamoru's battles with new revelations about his assumptions and preconceptions of the Kaigen empire, and Misaki's life as a housewife and a mother, with glimpses of her past at school. The story then weaves in Duna unrest, suggesting that peace may soon become a distant memory.
What made this six stars? I'm having a hard time explaining what made this a phenomenal book. It was NOT a good time, I can tell you that! I cried MULTIPLE times in this book, which generally does not happen to me and hasn't happened since The Nightingale by Kristen Hannah. M.L. Wang is clearly a powerful and amazingly talented writer - her prose isn't fluffy; it's straight to the point and makes you feel like you are living at the Sword of Kaigen with the small community. I would not suggest picking this up if you want atmospheric or whimsical writing. Wang is literal yet still poignant and dives into challenging topics like misogyny, classism, and war. It was beautiful, yet sharp and harsh, and I loved it so much.
So, I generally prioritize character layers and development over everything else. Do not get me wrong, the plot and world-building must be there! However, there is something so beautiful about connecting with characters, regardless of whether they are the protagonists, antagonists, or morally gray folks. This book did that so well. Mamoru and Misaki are beautifully written characters with many layers, conflicts, and flaws. The other characters, specifically Setsuko, Takashi, Hyori, Chul-Hee, and Robin, were also fantastically written. Additionally, I could write multiple paragraphs about Takeru Matsuda - Mamoru's father and Misaki's husband - what a character! Everyone was their own character, and I love nothing more than relating to many characters and seeing them go on their journeys.
Now, technically, Wang's 100-page (or so) action scene was unbelievable. Actually, unbelievable. I've never read an action scene like this one before. I was immersed, captivated, and absolutely DEVASTATED during it. I honestly couldn't put my book down. This gruesome portrayal of battle was incredibly done, even though it was hard to read.
Lastly, this was such a well-done magic system, world, and plot. It takes a slightly different approach to war, combining some politics, war potential, and the aftermath of battle.
While this book was incredible, please know you will be angry. Kaigen was awfully sexist and misogynistic - it was a patriarchal society where women had to watch what they said to their husbands, let alone fight in battle. It can be challenging to read, but it made you appreciate Misaki and her wonderful friends even more. The balance Misaki portrayed as a mother and a warrior was unique, and her relationship with her husband, Takeru, was incredibly layered. However, unlike other fantasy novels with a main female protagonist, this one doesn't have the nice, neat power ending we're used to, and it may frustrate you. As someone who cares deeply about feminism, this should have angered me, but Wang portrayed all of this in an incredibly realistic way and therefore didn't make the story seem to go into a 180 abruptly.
I have no criticism. At all. You may and I get that, but I don't. What an incredible ride - Wang will be an auto-buy author for me. I've read Blood Over Bright Haven, which I LOVED, and I can't wait to see what else Wang comes out with. I am so thankful for this novel, yet now it is time for a fluffy and light book where I shed no tears.
The Setup: Mamoru is a Matsuda. Meaning he was born into a line of people resembling gods. Matsudas possess a unique magic form called jijaka, someone able to control water. Well, those in Kaigen can all be jijakalu, but Matsudas have the unique ability to take their control of water even further and take water molecules to make something called a Whispering Blade, a sword of ice that can cut through literally anything. Matsuda boys and men are trained early as warriors, serving the Kaigen empire wholeheartedly and rigidly. They live and train on the Kusanagi Peninsula, known as the Sword of Kaigen, and are the first to defend the Empire's enemies. Mamoru is fourteen, in school, and is one of the best warriors of his age. Thankfully, "warrior" is more of a title than anything; Kaigen and the rest of Danu, the world everyone lives in, have maintained peaceful relations, and there hasn't been a war since the Keleba, the only war that occurred in Danu's history. Mamoru is going to school, hanging out with his friends, trying not to fall asleep in history class, and, of course, training. He is determined to master the Whispering Blade and be the youngest to do so. Therefore, much of his time is spent mastering his jiya and trying to prove to his father that he is focused and talented.
In tandem, Misaki, Mamoru's mother, is battling fifteen years of, for lack of better words, boredom and anger. Misaki was also a warrior, as she spent her teenage years at a school in Carytha, another country in Danu, mastering her jiya and another magic: Blood Needle, the ability to control a small amount of the blood inside their victim's body and freezes it in the shape of a needle. This jijaka technique is specific to the Tsusano family, Misaki's bloodline before she married a Matsuda. She spent time at this school mastering her sword skills and even partnered with a crew of kids her age to fight crime. However, Misaki is from Ishihama, a town in Kaigen, meaning that she knew that her main role in life would be to marry into a powerful bloodline and bear his children, specifically sons. She made the incredibly challenging choice once she was of age to stay back on Kaigen and marry Takeru Matsuda. But life is not easy, and she struggles without a sword on her hip.
The narrative delves into the emotional journeys of both Mamoru and Misaki, revealing Mamoru's battles with new revelations about his assumptions and preconceptions of the Kaigen empire, and Misaki's life as a housewife and a mother, with glimpses of her past at school. The story then weaves in Duna unrest, suggesting that peace may soon become a distant memory.
What made this six stars? I'm having a hard time explaining what made this a phenomenal book. It was NOT a good time, I can tell you that! I cried MULTIPLE times in this book, which generally does not happen to me and hasn't happened since The Nightingale by Kristen Hannah. M.L. Wang is clearly a powerful and amazingly talented writer - her prose isn't fluffy; it's straight to the point and makes you feel like you are living at the Sword of Kaigen with the small community. I would not suggest picking this up if you want atmospheric or whimsical writing. Wang is literal yet still poignant and dives into challenging topics like misogyny, classism, and war. It was beautiful, yet sharp and harsh, and I loved it so much.
So, I generally prioritize character layers and development over everything else. Do not get me wrong, the plot and world-building must be there! However, there is something so beautiful about connecting with characters, regardless of whether they are the protagonists, antagonists, or morally gray folks. This book did that so well. Mamoru and Misaki are beautifully written characters with many layers, conflicts, and flaws. The other characters, specifically Setsuko, Takashi, Hyori, Chul-Hee, and Robin, were also fantastically written. Additionally, I could write multiple paragraphs about Takeru Matsuda - Mamoru's father and Misaki's husband - what a character! Everyone was their own character, and I love nothing more than relating to many characters and seeing them go on their journeys.
Now, technically, Wang's 100-page (or so) action scene was unbelievable. Actually, unbelievable. I've never read an action scene like this one before. I was immersed, captivated, and absolutely DEVASTATED during it. I honestly couldn't put my book down. This gruesome portrayal of battle was incredibly done, even though it was hard to read.
Lastly, this was such a well-done magic system, world, and plot. It takes a slightly different approach to war, combining some politics, war potential, and the aftermath of battle.
While this book was incredible, please know you will be angry. Kaigen was awfully sexist and misogynistic - it was a patriarchal society where women had to watch what they said to their husbands, let alone fight in battle. It can be challenging to read, but it made you appreciate Misaki and her wonderful friends even more. The balance Misaki portrayed as a mother and a warrior was unique, and her relationship with her husband, Takeru, was incredibly layered. However, unlike other fantasy novels with a main female protagonist, this one doesn't have the nice, neat power ending we're used to, and it may frustrate you. As someone who cares deeply about feminism, this should have angered me, but Wang portrayed all of this in an incredibly realistic way and therefore didn't make the story seem to go into a 180 abruptly.
I have no criticism. At all. You may and I get that, but I don't. What an incredible ride - Wang will be an auto-buy author for me. I've read Blood Over Bright Haven, which I LOVED, and I can't wait to see what else Wang comes out with. I am so thankful for this novel, yet now it is time for a fluffy and light book where I shed no tears.
Content Warnings
Graphic: Child death, Death, Emotional abuse, Gore, Miscarriage, Misogyny, Physical abuse, Rape, Sexism, Sexual violence, Suicidal thoughts, Suicide, Toxic relationship, Violence, Blood, Vomit, Kidnapping, Grief, Murder, Pregnancy, Fire/Fire injury, War, Injury/Injury detail, and Classism
Moderate: Confinement, Genocide, and Gaslighting
Minor: Cursing
Please, please, please take some of these triggers seriously. M.L. Wang does a phenomenal job with action scenes, but they involve lots of detail about injuries and death, including for literal children. Please take care.