A review by btaylorb
The Centre by Ayesha Manazir Siddiqi

dark emotional funny mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

I loved this, it's incredibly dark and has a leisurely, lush tone that contrasts well with the sense of high tension every time the main character goes to The Center. As always in a good horror novel, this story uses those glimpses at the monster behind the curtain to shed light on things that are truly horrific: racism (particularly through the supremacy of the Western canon and Western European language), classism, and sexism. Meanwhile the body horror, when it's revealed is more subdued. There's also a really good red herring early on that I would occasionally remember throughout the story and then gradually forget about. I loved how flawed and earnest the main character is: She is by turns introspective and aware of her privilege as she delves into why she's so unhappy, but also often blind and uncaring toward other characters.

 I thought the use of different languages throughout, in particular Urdu, the MC's first language, was really well executed. I listened to the audio version where the Urdu dialogue is read by the narrator, but as far as I can tell they're not always translated for the listener. Apparently, these sections are also not delineated by italics in the physical or ebook editions. I think this is such a clever way to create a sense of intimacy with the characters and reinforce some of what the book is exploring around language and communication. I don't feel at all like I lost anything by not understanding those few sections. In the final section of the audiobook, the author gives an interview where she talks about the idea that if you don't understand something, it might just not be meant for you, and that's okay - and this is sometimes a central point of the story. 

Also noteworthy: There's one passage toward the end where a racial slur gets bleeped in the narration of the audio. I'm going to glance at the physical copy at my library, because I'm curious if it's similarly censored in some way in the text. I would love to know if this was an authorial choice or an editorial one for the audio edition; I'm hopeful it's the former because, given the premise, I think that's an interesting and powerful detail.
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