Scan barcode
A review by book_concierge
Vinegar Girl by Anne Tyler
3.0
Digital audio performed by Kirstin Potter
This re-imagining of Shakespeare’s The Taming of the Shrew is part of the Hogarth Shakespeare series. Tyler gives us a Kate who is a modern day woman, with a job she likes (though she seems to always be in trouble with the parents of the toddlers she cares for), dedicated (though a bit resentful) to helping her widowed father run the household, uninterested in romance and intolerant of her younger sister Bunny’s obsessions with flirting and collecting young (and not-so-young) men’s hearts. Their hapless father is a university professor consumed by his research. He’s had the good fortune to find an excellent and talented graduate research assistant, but Pyotr’s visa is about to expire and he’ll be deported if he can’t find a way to stay in the US. So Dr Battista hatches a plan to have Kate marry Pyotr so he gets a green card.
I generally like Tyler’s novels that focus on relationships rather than plot. But this one felt a little stilted and “not-quite-right” to me. Perhaps it was the constraints of fitting into the Shakespeare tale’s basic premise of a harridan whose father is eager to get rid of her, and who is “tamed” (read beaten and starved into submission) by a handsome, virile man. Clearly that scenario just doesn’t work in today’s “Me-Too” culture. I think she did the best she could within the framework of Shakespeare’s tale, but it just didn’t quite work.
Still, there were some scenes where Tyler’s skill at exploring relationships shone through. And I did like the way that Pyotr was portrayed – not as the bully Petruchio, but more of a gentle, if determined, person. I also liked that Tyler turned Shakespeare’s women around; the original seems to paint younger sister Bianca as the “ideal” woman – pretty, compliant, obedient – and therefore much more desirable than Katherina. Here Bunny is more of an immature flirt, not really desirable, though she MAY grow up eventually.
Kirstin Potter does a fine job narrating the audiobook. She sets a good pace and the characters came to life via her performance.
This re-imagining of Shakespeare’s The Taming of the Shrew is part of the Hogarth Shakespeare series. Tyler gives us a Kate who is a modern day woman, with a job she likes (though she seems to always be in trouble with the parents of the toddlers she cares for), dedicated (though a bit resentful) to helping her widowed father run the household, uninterested in romance and intolerant of her younger sister Bunny’s obsessions with flirting and collecting young (and not-so-young) men’s hearts. Their hapless father is a university professor consumed by his research. He’s had the good fortune to find an excellent and talented graduate research assistant, but Pyotr’s visa is about to expire and he’ll be deported if he can’t find a way to stay in the US. So Dr Battista hatches a plan to have Kate marry Pyotr so he gets a green card.
I generally like Tyler’s novels that focus on relationships rather than plot. But this one felt a little stilted and “not-quite-right” to me. Perhaps it was the constraints of fitting into the Shakespeare tale’s basic premise of a harridan whose father is eager to get rid of her, and who is “tamed” (read beaten and starved into submission) by a handsome, virile man. Clearly that scenario just doesn’t work in today’s “Me-Too” culture. I think she did the best she could within the framework of Shakespeare’s tale, but it just didn’t quite work.
Still, there were some scenes where Tyler’s skill at exploring relationships shone through. And I did like the way that Pyotr was portrayed – not as the bully Petruchio, but more of a gentle, if determined, person. I also liked that Tyler turned Shakespeare’s women around; the original seems to paint younger sister Bianca as the “ideal” woman – pretty, compliant, obedient – and therefore much more desirable than Katherina. Here Bunny is more of an immature flirt, not really desirable, though she MAY grow up eventually.
Kirstin Potter does a fine job narrating the audiobook. She sets a good pace and the characters came to life via her performance.