A review by jessdekkerreads
Maps of Our Spectacular Bodies by Maddie Mortimer

5.0

โ€œ...๐˜ฃ๐˜ฆ๐˜ค๐˜ข๐˜ถ๐˜ด๐˜ฆ ๐˜ฅ๐˜ฆ๐˜ข๐˜ต๐˜ฉ ๐˜ข๐˜ญ๐˜ด๐˜ฐ ๐˜ฎ๐˜ข๐˜ฌ๐˜ฆ๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ๐˜ด ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ฏ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ ๐˜ด๐˜ฆ๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ฎ๐˜ข๐˜ต๐˜ต๐˜ฆ๐˜ณ ๐˜ฃ๐˜ฆ๐˜จ๐˜ช๐˜ฏ ๐˜ต๐˜ฐ ๐˜ฎ๐˜ข๐˜ต๐˜ต๐˜ฆ๐˜ณ, ๐˜ข๐˜ญ๐˜ญ ๐˜ช๐˜ฏ ๐˜ข ๐˜ฎ๐˜ข๐˜ต๐˜ต๐˜ฆ๐˜ณ, ๐˜ฐ๐˜ง ๐˜ด๐˜ฆ๐˜ค๐˜ฐ๐˜ฏ๐˜ฅ๐˜ด.โ€

Recent winner of the Desmond Elliot Prize for Debut Novels and longlisted for the 2022 Booker Prize- this is a narrative revealed to the reader not only by the protagonist, Lia, but also by the cancer that slowly takes over Liaโ€™s body. The cancer, the disease, is given its own voice, a cruel and menacing voice. Mortimer brings with her a personal experience of losing her own mother to cancer, into the words that fill up each page, and you can feel it, in the intimate moments Lia shares with her daughter, how the power of language and words connect them. Told also in Liaโ€™s reflections on her own complex relationship with her Evangelical mother, and further reflecting on a toxic relationship she had with a man named Matthew, and how said relationship has shaped her. And despite the impending death the cancer assures is to come, the novel is so full of life. 

Itโ€™s not just another novel about cancer, or motherhood, yes, the themes weโ€™ve seen before are there, but Iโ€™ve never seen them explored in such a way, that left me at times breathless, questioning mortality, and reflecting on my relationship with my own daughter, โ€œ๐˜๐˜ต ๐˜ฉ๐˜ข๐˜ฅ ๐˜ฏ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ฏ๐˜ข๐˜ต๐˜ถ๐˜ณ๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ต๐˜ฐ ๐˜ฉ๐˜ฆ๐˜ณ. ๐˜”๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ฉ๐˜ฐ๐˜ฐ๐˜ฅ. ๐˜›๐˜ฉ๐˜ช๐˜ด ๐˜ข๐˜ค๐˜ต ๐˜ฐ๐˜ง ๐˜ฑ๐˜ถ๐˜ญ๐˜ญ๐˜ช๐˜ฏ๐˜จ ๐˜ฅ๐˜ข๐˜บ๐˜ด ๐˜ฐ๐˜ถ๐˜ต ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ฐ๐˜ฏ๐˜ฆโ€™๐˜ด ๐˜ด๐˜ญ๐˜ฆ๐˜ฆ๐˜ท๐˜ฆ. ๐˜‰๐˜ถ๐˜ต ๐˜ด๐˜ฉ๐˜ฆ ๐˜ต๐˜ณ๐˜ช๐˜ฆ๐˜ฅ, ๐˜ฎ๐˜ฐ๐˜ด๐˜ต ๐˜ฎ๐˜ฐ๐˜ณ๐˜ฏ๐˜ช๐˜ฏ๐˜จ๐˜ด, ๐˜ต๐˜ฐ ๐˜ง๐˜ช๐˜ฏ๐˜ฅ ๐˜ญ๐˜ช๐˜ต๐˜ต๐˜ญ๐˜ฆ ๐˜ฅ๐˜ฆ๐˜ญ๐˜ช๐˜จ๐˜ฉ๐˜ต๐˜ด ๐˜ธ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ฐ๐˜ธ๐˜ฏ ๐˜ฎ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ฉ๐˜ข๐˜ฅ ๐˜ง๐˜ข๐˜ช๐˜ญ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ญ๐˜ฐ๐˜ฐ๐˜ฌ. ๐˜›๐˜ฐ ๐˜ฏ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ ๐˜ญ๐˜ฆ๐˜ต ๐˜๐˜ณ๐˜ช๐˜ด ๐˜ง๐˜ฆ๐˜ฆ๐˜ญ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ซ๐˜ฐ๐˜บ๐˜ญ๐˜ฆ๐˜ด๐˜ด ๐˜ต๐˜ฆ๐˜ฅ๐˜ช๐˜ถ๐˜ฎ ๐˜ฐ๐˜ง ๐˜ช๐˜ต ๐˜ข๐˜ญ๐˜ญ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ข๐˜บ ๐˜ด๐˜ฉ๐˜ฆ ๐˜ฉ๐˜ข๐˜ฅ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ด๐˜ฉ๐˜ฆ ๐˜ธ๐˜ข๐˜ด ๐˜บ๐˜ฐ๐˜ถ๐˜ฏ๐˜จ.โ€ I cried, oh I cried, and held my daughter close.

โ€œ๐˜”๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ฉ๐˜ฐ๐˜ฐ๐˜ฅ ๐˜ค๐˜ข๐˜ฏ ๐˜ฎ๐˜ข๐˜ฌ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ฐ๐˜ด๐˜ต ๐˜ค๐˜ข๐˜ณ๐˜ฆ๐˜ญ๐˜ฆ๐˜ด๐˜ด ๐˜ธ๐˜ฐ๐˜ฎ๐˜ข๐˜ฏ ๐˜ค๐˜ข๐˜ถ๐˜ต๐˜ช๐˜ฐ๐˜ถ๐˜ด, ๐˜ฃ๐˜ถ๐˜ต ๐˜ฃ๐˜บ ๐˜ฏ๐˜ฐ ๐˜ฎ๐˜ฆ๐˜ข๐˜ฏ๐˜ด ๐˜ฅ๐˜ฐ๐˜ฆ๐˜ด ๐˜ช๐˜ต ๐˜ฎ๐˜ข๐˜ฌ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฎ ๐˜จ๐˜ฐ๐˜ฐ๐˜ฅ.โ€ 

โ€œ๐˜”๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ฉ๐˜ฐ๐˜ฐ๐˜ฅ ๐˜ช๐˜ด ๐˜ฏ๐˜ฐ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ ๐˜ฃ๐˜ถ๐˜ต ๐˜ข ๐˜จ๐˜ณ๐˜ฆ๐˜ข๐˜ต ๐˜ณ๐˜ฆ๐˜ฎ๐˜ช๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ญ๐˜ช๐˜ง๐˜ฆ ๐˜ฃ๐˜ฆ๐˜จ๐˜ช๐˜ฏ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฆ๐˜ฏ๐˜ฅ๐˜ด ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฃ๐˜ฐ๐˜ฅ๐˜บ.โ€

This is a book, I believe, is one that needs to be read in physical form, not ebook, and not audiobook either, to get the full effect of this fragmentary and experimental text, as the most beautiful, poetic prose flows, weaves throughout. Full of unflinching honesty and raw emotion, I was immersed in these complex human experiences and relationships, i felt the depth of the love and the grief. I felt it all. 

Thereโ€™s a special place on my shelf for this heavily annotated book. My favorite fiction read of 2022 thus far. Thank you Scribner for the advanced copy - Iโ€™m a little late in posting this review, but the good news is, this book is out now.