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A review by textpublishing
The World Made Straight by Ron Rash
5.0
‘An intellectually satisfying work of suspense … [The World Made Straight] reminds us of the sort of compelling literature a brave artist can fashion from the shards of such experience.’
Los Angeles Times Book Review
‘[Ron Rash’s] novels are complex and compelling, told in graceful, conscientious prose, and The World Made Straight is his finest yet.’
Charlotte Observer
‘Ron Rash writes some of the most memorable novels of this young century … No writer since the late Larry Brown has handled the raw grit of country people as truthfully as Rash… . At once uplifting, harrowing, and unforgettable.’
News & Observer on The World Made Straight
‘[The World Made Straight] is the third novel by Ron Rash that has brought my life to a grinding halt—but to praise Rash simply as a powerful storyteller would be to overlook his gifts as a profoundly ethical writer and, at the same time, a poet with a fine and tender eye for the beauty of nature. What I love and admire most of all about this book, however, is its fierce confrontation of a human dilemma that has sparked too many of the world’s most violent tragedies: the burning question of just how much allegiance we owe family and community, including the ghosts from our past.’
Julia Glass, author of Three Junes
‘The World Made Straight is a wonderful, heartbreaking, heart-healing kind of work, a work of genius—genius and insight and poetry and the kind of language that whispers to me like music coming back off dense wet hills and upturned faces.’
Dorothy Allison, author of Bastard Out of Carolina
‘Rash writes in the tradition of William Faulkner and Flannery O’Connor and more contemporary writers such as Charles Frazier and Cormac McCarthy. His fiction occupies that strange, language-driven netherland between myth and realism. It’s a dark, poetic, blood-soaked world.’
Australian
‘Rash’s stories are firmly located in time and place but have a universalism that transcends both.’
Otago Daily Times
‘Woven through the narrative, bloody strands of violence run down through the generations from the Shelton Laurel massacre of 1863 to the savage battle fought by the small-town drug lords of today.’
North & South
Los Angeles Times Book Review
‘[Ron Rash’s] novels are complex and compelling, told in graceful, conscientious prose, and The World Made Straight is his finest yet.’
Charlotte Observer
‘Ron Rash writes some of the most memorable novels of this young century … No writer since the late Larry Brown has handled the raw grit of country people as truthfully as Rash… . At once uplifting, harrowing, and unforgettable.’
News & Observer on The World Made Straight
‘[The World Made Straight] is the third novel by Ron Rash that has brought my life to a grinding halt—but to praise Rash simply as a powerful storyteller would be to overlook his gifts as a profoundly ethical writer and, at the same time, a poet with a fine and tender eye for the beauty of nature. What I love and admire most of all about this book, however, is its fierce confrontation of a human dilemma that has sparked too many of the world’s most violent tragedies: the burning question of just how much allegiance we owe family and community, including the ghosts from our past.’
Julia Glass, author of Three Junes
‘The World Made Straight is a wonderful, heartbreaking, heart-healing kind of work, a work of genius—genius and insight and poetry and the kind of language that whispers to me like music coming back off dense wet hills and upturned faces.’
Dorothy Allison, author of Bastard Out of Carolina
‘Rash writes in the tradition of William Faulkner and Flannery O’Connor and more contemporary writers such as Charles Frazier and Cormac McCarthy. His fiction occupies that strange, language-driven netherland between myth and realism. It’s a dark, poetic, blood-soaked world.’
Australian
‘Rash’s stories are firmly located in time and place but have a universalism that transcends both.’
Otago Daily Times
‘Woven through the narrative, bloody strands of violence run down through the generations from the Shelton Laurel massacre of 1863 to the savage battle fought by the small-town drug lords of today.’
North & South