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A review by shanaqui
Thus Was Adonis Murdered by Sarah Caudwell
funny
lighthearted
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Sarah Caudwell's Thus Was Adonis Murdered suddenly seemed to be everywhere for me, for a couple of months at the end of 2024. I love a good mystery (though I'm often most drawn to older mysteries), so I was curious about all the praise and decided to give it a shot, although I was a bit worried by it being characterised as funny -- sometimes that means slapstick or embarrassment squick, which I wouldn't gel very well with.
It's not that. It's witty and light in tone, though sometimes leans a bit too heavily on "Julia is weirdly stupid about a lot of things" to be quite comfortable for me. The cast of characters is fun, though I probably won't remember how to tell them apart by the time I read the sequel, because somehow their names wouldn't stick in my head. (Or rather, which name belonged with which character.) I suspect it's the kind of book that some non-Brits would find very charming for being "British humour".
What I found really interesting was that Hilary Tamar does almost all the mystery-solving from a distance, and the characters we follow are mostly kept up to date from a distance, receiving evidence via letters from Julia (the suspect) and reports from people who have gone to the scene of the crime. Despite it being set in Italy, it feels like the reader never leaves London, and yet it doesn't feel like missing out on the action. Part of that is the wittiness and banter, I'd say, and the letters help with immediacy as well.
If I'd described this to myself beforehand, I'm not sure I'd have picked it up just based on a description of how the story is told, the wittiness, etc -- but as it is, I did pick it up, and loved it, and I'm eager for the second book.
It's not that. It's witty and light in tone, though sometimes leans a bit too heavily on "Julia is weirdly stupid about a lot of things" to be quite comfortable for me. The cast of characters is fun, though I probably won't remember how to tell them apart by the time I read the sequel, because somehow their names wouldn't stick in my head. (Or rather, which name belonged with which character.) I suspect it's the kind of book that some non-Brits would find very charming for being "British humour".
What I found really interesting was that Hilary Tamar does almost all the mystery-solving from a distance, and the characters we follow are mostly kept up to date from a distance, receiving evidence via letters from Julia (the suspect) and reports from people who have gone to the scene of the crime. Despite it being set in Italy, it feels like the reader never leaves London, and yet it doesn't feel like missing out on the action. Part of that is the wittiness and banter, I'd say, and the letters help with immediacy as well.
If I'd described this to myself beforehand, I'm not sure I'd have picked it up just based on a description of how the story is told, the wittiness, etc -- but as it is, I did pick it up, and loved it, and I'm eager for the second book.