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A review by sheriffrockyraccoon
The Woods All Black by Lee Mandelo
dark
emotional
mysterious
tense
slow-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
I should note the reason for as low of a score as I gave may be influenced by the several queer literature courses I took over my college career. In this case, the novel felt more like referencing other, fuller novels rather than becoming a fully-fleshed story itself. It does receive a full star for truly committed to monster porn, though.
My main issues come from the main character. Leslie is an outsider looking in, and that meant a lot of character development surrounding love interests, “friends”, and antagonists was not present. I also have a strong distaste for stories that have a bias against rural towns, claiming cities are better. In the case of Leslie, Stevie does call this out at one point but it is hardly acknowledged and does not seem to change his opinion. Of course, yes, this town is evil and the population is truly horrible, but it felt as though I were being told through past stories and dialogue why they were so villainous. I would have liked to see more action between the protagonist and antagonist(s), as much of their scuffles really only came from passive-aggressive comments.
I was also frustrated with the pacing, as we don’t even see the monster until halfway through the story. Most of the book consists of Leslie becoming frustrated with the townspeople and, it is noted several times, being unable to read Woolf’s Orlando. It did drive me crazy how many times this was noted. The last fourth of the story is great, there are very exciting and tense scenes (and monster porn) that truly categorize it as a horror. It is disappointing that we did not get more of it.
I would recommend this book to anyone who likes queer horror, with an emphasis on queer living. Mandelo’s writing is decent and can be very engaging when something is happening to move the plot forward.
My main issues come from the main character. Leslie is an outsider looking in, and that meant a lot of character development surrounding love interests, “friends”, and antagonists was not present. I also have a strong distaste for stories that have a bias against rural towns, claiming cities are better. In the case of Leslie, Stevie does call this out at one point but it is hardly acknowledged and does not seem to change his opinion. Of course, yes, this town is evil and the population is truly horrible, but it felt as though I were being told through past stories and dialogue why they were so villainous. I would have liked to see more action between the protagonist and antagonist(s), as much of their scuffles really only came from passive-aggressive comments.
I was also frustrated with the pacing, as we don’t even see the monster until halfway through the story. Most of the book consists of Leslie becoming frustrated with the townspeople and, it is noted several times, being unable to read Woolf’s Orlando. It did drive me crazy how many times this was noted. The last fourth of the story is great, there are very exciting and tense scenes (and monster porn) that truly categorize it as a horror. It is disappointing that we did not get more of it.
I would recommend this book to anyone who likes queer horror, with an emphasis on queer living. Mandelo’s writing is decent and can be very engaging when something is happening to move the plot forward.
Content Warnings
Graphic: Adult/minor relationship, Animal death, Body horror, Body shaming, Bullying, Child abuse, Cursing, Deadnaming, Death, Emotional abuse, Gore, Hate crime, Homophobia, Misogyny, Physical abuse, Sexism, Sexual assault, Sexual content, Sexual violence, Transphobia, Violence, Blood, Medical content, Cannibalism, Religious bigotry, Abortion, Murder, Pregnancy, Lesbophobia, Alcohol, Sexual harassment, Dysphoria, and Injury/Injury detail
Moderate: Racism and Rape