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A review by saareman
The Tremor of Forgery by Patricia Highsmith
4.0
A Night in Tunisia*
Review of the Grove Press Kindle eBook edition (2011) with an Introduction by [a:Francine Prose|12180|Francine Prose|https://images.gr-assets.com/authors/1249678588p2/12180.jpg] of the Heinemann (UK) & Doubleday & Co. (USA) hardcover original (1969).
There are some aspects to this noirish tale, set in Tunisia, where it crosses over with Highsmith's more famous portrayals of sociopathic characters such as Tom Ripley in The Ripliad Pentalogy (1955-1991) and Charles Anthony Bruno in [b:Strangers on a Train|15677|Strangers on a Train|Patricia Highsmith|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1634841748l/15677._SY75_.jpg|1187279] (1950). Howard Ingham is an innocent writer character who is drawn into a morally ambiguous world in his environment and his own fiction. There are 2 deaths during the book, one found by Ingham and one likely caused by him, but neither are reported on. The impression is given that the local tourist industry and bureaucracy would prefer that crime not be publicized even if it resulted in murder.
Ingham is on a working vacation to the seaside town of Hammamet in Tunisia. He is there to work on a film script in advance of the arrival of the film's director. The latter never writes and never arrives, and eventually Ingham learns that he has committed suicide back in New York City. Ingham's own girlfriend Ina also does not write and Ingham suspects an involvement with the director. Ingham stays on in Hammamet to work on a new novel, a Robin Hood-like tale of a character who embezzles from his business in order to aid disadvantaged people. He forms friendships with two other local visitors, an American propagandist Francis Adams and a Danish artist Anders Jensen. One night while walking home from Jensen's apartment, Ingham stumbles over a dead body in the street, the victim of an apparent cutthroat robbery. Ingham doesn't call the police and doesn't mention the murder.

The dust jacket for the original UK edition published by Heinemann in 1969. Image sourced from Existential Ennui (see link below).
Ingham has items stolen during his stay and especially resents an old local thief named Abdullah whom he had seen in the act. One evening there is a break-in at Ingham's rented bungalow and in the dark he throws his typewriter at the head of the thief who collapses outside. Ingham locks his door and ignores further outside sounds. In the morning there is no body outside, but Abdullah is also no longer seen in the vicinity. The houseboys deny that any body was found. Ingham believes that he probably killed Abdullah, but decides to keep quiet about it. Eventually he confesses to Jensen. The latter, who is also resentful about the locals who have apparently stolen his beloved dog, tells him to forget it. Adams however is suspicious and then Ina arrives from the USA as well. Ingham is lost in a moral quandary of whether to confess all or to keep silent.
I found the tension and moral ambiguity of The Tremor of Forgery to be very compelling and the evasiveness and self-justification of Ingham made for a suspenseful character study. The atmosphere of the Tunisian setting was also well crafted and definitely gave the impression that Highsmith must have spent time in the area.
Footnote and Soundtrack
* I couldn’t resist using this title for my lede, having recently come across film director Neil Jordan’s first book of short stories [b:Night in Tunisia|7229242|Night in Tunisia|Neil Jordan|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1677799196l/7229242._SY75_.jpg|526076] (1993) and being reminded of the Dizzy Gillespie bebop jazz tune, first called “Interlude,” and which later had lyrics added and was first sung by Sarah Vaughn in 1944, which you can listen to here.
Other Reviews
Not a full review, but author [a:Graham Greene|2533|Graham Greene|https://images.gr-assets.com/authors/1254688603p2/2533.jpg] said: "Miss Highsmith's finest novel to my mind is The Tremor of Forgery, and if I were to be asked what it is about I would reply, 'Apprehension'."
Not an original review from 1969, but this later 2011 review does include photos of both the original UK and USA covers at Existential Ennui: The Tremor of Forgery by Patricia Highsmith.
Trivia and Links
The Tremor of Forgery has not been adapted for film unlike many other Highsmith novels (e.g. Strangers on a Train, The Talented Mr. Ripley, Carol (aka The Price of Salt), The Two Faces of January, etc.). A recent biographical film documentary was released in 2022 called “Loving Highsmith” directed by Eva Vitija for which you can see the trailer here.
Review of the Grove Press Kindle eBook edition (2011) with an Introduction by [a:Francine Prose|12180|Francine Prose|https://images.gr-assets.com/authors/1249678588p2/12180.jpg] of the Heinemann (UK) & Doubleday & Co. (USA) hardcover original (1969).
Last night, oddly enough after his disturbing conversation with Adams, Ingham had thought of a title for his book, The Tremor of Forgery. It was much better than the two other ideas he had had. He had read somewhere, before he left America, that forgers’ hands usually trembled very slightly at the beginning and end of their false signatures, sometimes so slightly the tremor could be seen only under a microscope.
There are some aspects to this noirish tale, set in Tunisia, where it crosses over with Highsmith's more famous portrayals of sociopathic characters such as Tom Ripley in The Ripliad Pentalogy (1955-1991) and Charles Anthony Bruno in [b:Strangers on a Train|15677|Strangers on a Train|Patricia Highsmith|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1634841748l/15677._SY75_.jpg|1187279] (1950). Howard Ingham is an innocent writer character who is drawn into a morally ambiguous world in his environment and his own fiction. There are 2 deaths during the book, one found by Ingham and one likely caused by him, but neither are reported on. The impression is given that the local tourist industry and bureaucracy would prefer that crime not be publicized even if it resulted in murder.
Ingham is on a working vacation to the seaside town of Hammamet in Tunisia. He is there to work on a film script in advance of the arrival of the film's director. The latter never writes and never arrives, and eventually Ingham learns that he has committed suicide back in New York City. Ingham's own girlfriend Ina also does not write and Ingham suspects an involvement with the director. Ingham stays on in Hammamet to work on a new novel, a Robin Hood-like tale of a character who embezzles from his business in order to aid disadvantaged people. He forms friendships with two other local visitors, an American propagandist Francis Adams and a Danish artist Anders Jensen. One night while walking home from Jensen's apartment, Ingham stumbles over a dead body in the street, the victim of an apparent cutthroat robbery. Ingham doesn't call the police and doesn't mention the murder.

The dust jacket for the original UK edition published by Heinemann in 1969. Image sourced from Existential Ennui (see link below).
Ingham has items stolen during his stay and especially resents an old local thief named Abdullah whom he had seen in the act. One evening there is a break-in at Ingham's rented bungalow and in the dark he throws his typewriter at the head of the thief who collapses outside. Ingham locks his door and ignores further outside sounds. In the morning there is no body outside, but Abdullah is also no longer seen in the vicinity. The houseboys deny that any body was found. Ingham believes that he probably killed Abdullah, but decides to keep quiet about it. Eventually he confesses to Jensen. The latter, who is also resentful about the locals who have apparently stolen his beloved dog, tells him to forget it. Adams however is suspicious and then Ina arrives from the USA as well. Ingham is lost in a moral quandary of whether to confess all or to keep silent.
I found the tension and moral ambiguity of The Tremor of Forgery to be very compelling and the evasiveness and self-justification of Ingham made for a suspenseful character study. The atmosphere of the Tunisian setting was also well crafted and definitely gave the impression that Highsmith must have spent time in the area.
Footnote and Soundtrack
* I couldn’t resist using this title for my lede, having recently come across film director Neil Jordan’s first book of short stories [b:Night in Tunisia|7229242|Night in Tunisia|Neil Jordan|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1677799196l/7229242._SY75_.jpg|526076] (1993) and being reminded of the Dizzy Gillespie bebop jazz tune, first called “Interlude,” and which later had lyrics added and was first sung by Sarah Vaughn in 1944, which you can listen to here.
Other Reviews
Not a full review, but author [a:Graham Greene|2533|Graham Greene|https://images.gr-assets.com/authors/1254688603p2/2533.jpg] said: "Miss Highsmith's finest novel to my mind is The Tremor of Forgery, and if I were to be asked what it is about I would reply, 'Apprehension'."
Not an original review from 1969, but this later 2011 review does include photos of both the original UK and USA covers at Existential Ennui: The Tremor of Forgery by Patricia Highsmith.
Trivia and Links
The Tremor of Forgery has not been adapted for film unlike many other Highsmith novels (e.g. Strangers on a Train, The Talented Mr. Ripley, Carol (aka The Price of Salt), The Two Faces of January, etc.). A recent biographical film documentary was released in 2022 called “Loving Highsmith” directed by Eva Vitija for which you can see the trailer here.