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A review by savaging
Bluebeard's Egg by Margaret Atwood
5.0
The edition I read somehow has on its cover a terrible shiny-blond white-waif woman draped in gold-enameled silk and Anthropologie-style accessories, surrounded by Kincaidesque flowers in cool-color palette. In addition to making me mildly ashamed to read it in public, fearing I'll be pegged as a reader of panting maidens whose lower lips tremble when thick-necked knights off the dragon, the image is the very opposite of the content of the book. Seriously: put anything else there. A worn couch; a beetle larvae; animal droppings -- any image chosen at random would better reflect what's happening inside these pages.
Because nothing is rarified or prettified here. These are stories of normal people in a normal earth that is also deep and rich and wide and wild. Like this, from "In Search of the Rattlesnake Plantain":
Because nothing is rarified or prettified here. These are stories of normal people in a normal earth that is also deep and rich and wide and wild. Like this, from "In Search of the Rattlesnake Plantain":
The woods are open, the ground covered with a mat of leaves, dry on the top, pressed down into a damp substratum beneath, threaded through (I know, though I don’t look, I have looked before, I have a history of looking) with filaments, strands, roots, and skeins of leaf mould laid through it like fuses, branched like the spreading arteries of watercolour blue in certain kinds of cheese.I especially loved the stories of parents, though Atwood's wicked wit parsing out patriarchy in romantic relationships is also a treat. And "The Salt Garden," about love and family in the nuclear age was astonishing.