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A review by theequestrianslibrary
Ariadne by Jennifer Saint
adventurous
dark
informative
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
**DISCLAIMER: This may or may not be a full list of every trigger/content warning found in the book, Ariadne by Jennifer Saint. Please take this list with a grain of salt as the book is a Greek Mythology retelling. Some triggers and content warnings may contain spoilers!
To start, as I'm rewriting this review a second time because I accidentally deleted the first one, I was very happy to see a retelling of a Greek Myth that wasn't Persephone & Hades (though I do love that pairing immensely.) For about the first 1/3 of the book, I was unaware this WAS a retelling, but that may have simply been my own oversight, considering the names Theseus and the Minotaur were also mentioned. I digress.
After about 1/3 of the book, I did do a search to see if the main characters, Ariadne and Phaedra, were in fact real characters in these Greek myths. Because of this, I discovered they were and carried on with reading, though now I had some additional information such as pertaining to who ended up with who based on the legend.
The book's writing retains a "formal, prose-y" type of speech, especially when characters are talking. There weren't very many instances that I was confused by a word or a phrase, but did take note of how the characters spoke. The descriptions of scenes and setting was flowery, and as a more flowery writer myself, I tend to appreciate this type of description. However, there were instances in the book, mostly in the first 1/2 that involved numerous references back to past events in the characters' lives. While this is usually fine, it did get a point where it felt very repetitive and almost annoying. By annoying, I mean, "Yes, yes, we know this happened to them, we've been over this, [...]" etc. Etc.
The book also utilizes timeskips. For most of the book, you have no idea how long has actually passed between the very first chapter, to the very end of the book. You actually do not find out how much time has passed until the very last 5 or so chapters. Which, some of the ending chapters were extremely short, some having only two pages, while others earlier on were bordering having ten. While short chapters can be useful in short, choppy scenes, it felt rushed and like larger plot points were simply ran past, in a way that was very reminiscent of, "Oh, okay, we're already past that then." Admittedly, this may have affected my reaction to the end, as well as my brief research into the character' original identities.
When the book ended, I did not feel any overwhelming emotions. I was simply ready for the next one, unlike other books that can leave you in emotional disarray for days on end. I didn't dislike the book, but I would border it more to a 3.5 rather than a 3. The book, to me personally, feels like a one-off. You read it, mark it off your list, and then keep it on the shelf for its pretty cover. I would recommend it simply because it is a retelling of a myth not often touched upon, as it's a good one to simply sit down, read, and enjoy for what it is.
To start, as I'm rewriting this review a second time because I accidentally deleted the first one, I was very happy to see a retelling of a Greek Myth that wasn't Persephone & Hades (though I do love that pairing immensely.) For about the first 1/3 of the book, I was unaware this WAS a retelling, but that may have simply been my own oversight, considering the names Theseus and the Minotaur were also mentioned. I digress.
After about 1/3 of the book, I did do a search to see if the main characters, Ariadne and Phaedra, were in fact real characters in these Greek myths. Because of this, I discovered they were and carried on with reading, though now I had some additional information such as pertaining to who ended up with who based on the legend.
The book's writing retains a "formal, prose-y" type of speech, especially when characters are talking. There weren't very many instances that I was confused by a word or a phrase, but did take note of how the characters spoke. The descriptions of scenes and setting was flowery, and as a more flowery writer myself, I tend to appreciate this type of description. However, there were instances in the book, mostly in the first 1/2 that involved numerous references back to past events in the characters' lives. While this is usually fine, it did get a point where it felt very repetitive and almost annoying. By annoying, I mean, "Yes, yes, we know this happened to them, we've been over this, [...]" etc. Etc.
The book also utilizes timeskips. For most of the book, you have no idea how long has actually passed between the very first chapter, to the very end of the book. You actually do not find out how much time has passed until the very last 5 or so chapters. Which, some of the ending chapters were extremely short, some having only two pages, while others earlier on were bordering having ten. While short chapters can be useful in short, choppy scenes, it felt rushed and like larger plot points were simply ran past, in a way that was very reminiscent of, "Oh, okay, we're already past that then." Admittedly, this may have affected my reaction to the end, as well as my brief research into the character' original identities.
When the book ended, I did not feel any overwhelming emotions. I was simply ready for the next one, unlike other books that can leave you in emotional disarray for days on end. I didn't dislike the book, but I would border it more to a 3.5 rather than a 3. The book, to me personally, feels like a one-off. You read it, mark it off your list, and then keep it on the shelf for its pretty cover. I would recommend it simply because it is a retelling of a myth not often touched upon, as it's a good one to simply sit down, read, and enjoy for what it is.
Content Warnings
Graphic: Incest
Moderate: Alcoholism, Animal cruelty, Animal death, Confinement, Death, Genocide, Gore, Misogyny, Rape, Suicidal thoughts, Toxic relationship, Violence, Blood, Kidnapping, Murder, Pregnancy, Abandonment, War, and Injury/Injury detail
Minor: Abandonment
Abandonment, Abuse/Neglect, Alcohol Consumption, Animal Cruelty/Abuse/Tortue, Animal Death, Arranged Marriage, Asphyxia/Strangulation/Hanging, Pseudo-Banishment/Exile, Bestiality, Blood/Gore Descriptions, Childbirth, Dead Bodies/Body Parts, Death of a Parent, Death of a Sibling, Grief/Loss Depictions, Genocide, Psuedo-Incest (Stepmom/Stepson), Pregnancy (Wanted/Unwanted), Rape/Sexual Assault, Suicide (via Hanging), Suicidal Ideation, Starvation/Dehydration Depictions