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A review by ridgewaygirl
Long Island Noir by Kaylie Jones
3.0
Long Island Noir fully fills only the first half of its title; while all of the stories are set on Long Island, quite a few are not noir. Noir is a sort of off-shoot of those pulp fiction hardboiled tales featuring disgraced private eyes encountering the seamy side of life. It focuses on the dark underbelly, and while the characters often inhabit a hard-scrabble world, noir exists equally well in the corrupt actions and pastimes of the wealthy. Long Island Noir often failed in this, with both traditional mystery stories and one that featured neither crime nor struggle. A few needed a little more time, with the slap-dash feeling of an early draft. Still, I found a few of the stories leading me to want to read more by their authors, always a good outcome. Other stories delivered in spades, telling of plans gone awry and lives squandered.
Among the stand-out stories was Anjali's America, in which a young Pakistani doctor encounters a woman whose fate she could have shared, had she not rejected an arranged marriage and completed her education, Gateway to the Stars, where a young man is prevented from finding his younger, drug-addicted brother by an unpleasant cop, and Blood Drive, in which a recently laid-off construction worker finds a new career that is both illegal and morally defensible. The protagonist of this story delivers a monolog that reminded me that appearances can be deceiving.
The disappointments were not terrible, but they didn't deliver. In Terror nothing bad happened. Instead, tragedy visited a browner-skinned, poorer acquaintance of the highly educated, white woman who could afford a summer house in the Hamptons. I found this story both offensive and well written. Past President was a traditional mystery story that could have featured Kinsey Millhone or Rina Lazarus. It was enjoyable and well-crafted, but absolutely not noir. And Semiconscious was certainly dark enough, but it was too angry to be well-written. I was reminded of John Steinbeck throwing away a rough draft and then writing The Grapes of Wrath. This was an early draft of what could eventually become something good.
Among the stand-out stories was Anjali's America, in which a young Pakistani doctor encounters a woman whose fate she could have shared, had she not rejected an arranged marriage and completed her education, Gateway to the Stars, where a young man is prevented from finding his younger, drug-addicted brother by an unpleasant cop, and Blood Drive, in which a recently laid-off construction worker finds a new career that is both illegal and morally defensible. The protagonist of this story delivers a monolog that reminded me that appearances can be deceiving.
The disappointments were not terrible, but they didn't deliver. In Terror nothing bad happened. Instead, tragedy visited a browner-skinned, poorer acquaintance of the highly educated, white woman who could afford a summer house in the Hamptons. I found this story both offensive and well written. Past President was a traditional mystery story that could have featured Kinsey Millhone or Rina Lazarus. It was enjoyable and well-crafted, but absolutely not noir. And Semiconscious was certainly dark enough, but it was too angry to be well-written. I was reminded of John Steinbeck throwing away a rough draft and then writing The Grapes of Wrath. This was an early draft of what could eventually become something good.