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A review by mint_the_muffin
The Sins on Their Bones by Laura R. Samotin
dark
emotional
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.25
Thank you NetGalley and Penguin Random House Canada for providing the ARC in exchange for an honest review.
I want to like this book so much, but the truth is I only finished it out of sheer stubbornness (and maybe a sliver of hope that it will get better.)
This is a story of a tsar who gets overthrown by his own husband - even though his husband loves him so much - and has to go into hiding. His husband is a fan of black magic that goes against the tsar's religion, so he has to try and fight back - even though he also loves his husband so much. To this end, his spymaster, who is head over heels in love with him will find journey back to the palace alone under a disguise and try to find a way to kill the usurper - whom he hates so much he can't go one second without thinking about a thousand ways to kill him.
Let me talk about the things I like about this book first. It has a very beautiful prose. This is the book's main strength. It's very flowery and poetic. It's clear that the author puts in a lot of work into researching and crafting the Russian-inspired settings. And I can feel that the author really cares about the themes discussed in the book, like the struggle to love yourself after getting gaslighted for so long, finding a family that you belong, and overcoming your traumas. I can feel the beating heart through the letters of this book, and I really appreciate that.
Now, my problem, though, is that I didn't enjoy the story. And when I say it's my problem, I mean it's a matter of preferences. And there are two layers to this. Firstly, at the idea level, no one is competent at their jobs. Or if they're supposed to be, then I'm not convinced. It's awkward to be in the head of a spy who is constantly struggling to not be overwhelmed by his emotion and maintain his disguise. It's also hard to root for a man to reclaim his throne when you're not convinced he would make a good king. Like, he literally balks at making any decisions. Now, I know there's a point about anxiety and depression that come from domestic abuse, physically, emotionally, and sexually. As a person, he's a kind person who deserves all the nice and pretty things in the world. I root for him to heal, to take his time, to be surrounded by people he love and not have to stress about how his abusive husband is going to destroy the world. As a king, though, being nice is just not enough - I don't really trust the country in his hands.
The other level of my problem is how the idea is told. The story alternates between 3 POVs: the tsar, the usurper husband, and the spymaster. From the beginning, in each and every chapter, these characters never hold back on pouring all their thoughts and emotions onto the pages. This means, that, one, all their incompetency and foil are exposed to the readers very early on; and two, from the beginning, I know who they are. Maybe not all their histories exactly, but more than enough to predict what they're going to do in any situations. And then, the next time the character's chapter comes around, they are still wallowing in their emotions! Nothing happens until about 40% into the book because every chapter consists of a short dialogue that leads nowhere plus an endless turmoil of repetitive emotions. This style of writing makes me numb because when you start at maximum emotion - the grief, the anger, the fear, the yearning, and the yearning, and more yearning - there is just nowhere else to go. Not for the enmity nor the romance. So, the only thing left to keep me going was the plot which progresses at a snail pace and only picks up around the 70% mark, at which point the story does become significantly more entertaining.
I would still recommend this book if you're someone who enjoy characters with overflowing emotions and beautiful writing. I would also recommend it if you're looking books that explore the themes that I said I appreciated above. But if you're looking for court intrigue, complex schemes, or nuanced characters, I don't think you'll get that from here.
I want to like this book so much, but the truth is I only finished it out of sheer stubbornness (and maybe a sliver of hope that it will get better.)
This is a story of a tsar who gets overthrown by his own husband - even though his husband loves him so much - and has to go into hiding. His husband is a fan of black magic that goes against the tsar's religion, so he has to try and fight back - even though he also loves his husband so much. To this end, his spymaster, who is head over heels in love with him will find journey back to the palace alone under a disguise and try to find a way to kill the usurper - whom he hates so much he can't go one second without thinking about a thousand ways to kill him.
Let me talk about the things I like about this book first. It has a very beautiful prose. This is the book's main strength. It's very flowery and poetic. It's clear that the author puts in a lot of work into researching and crafting the Russian-inspired settings. And I can feel that the author really cares about the themes discussed in the book, like the struggle to love yourself after getting gaslighted for so long, finding a family that you belong, and overcoming your traumas. I can feel the beating heart through the letters of this book, and I really appreciate that.
Now, my problem, though, is that I didn't enjoy the story. And when I say it's my problem, I mean it's a matter of preferences. And there are two layers to this. Firstly, at the idea level, no one is competent at their jobs. Or if they're supposed to be, then I'm not convinced. It's awkward to be in the head of a spy who is constantly struggling to not be overwhelmed by his emotion and maintain his disguise. It's also hard to root for a man to reclaim his throne when you're not convinced he would make a good king. Like, he literally balks at making any decisions. Now, I know there's a point about anxiety and depression that come from domestic abuse, physically, emotionally, and sexually. As a person, he's a kind person who deserves all the nice and pretty things in the world. I root for him to heal, to take his time, to be surrounded by people he love and not have to stress about how his abusive husband is going to destroy the world. As a king, though, being nice is just not enough - I don't really trust the country in his hands.
The other level of my problem is how the idea is told. The story alternates between 3 POVs: the tsar, the usurper husband, and the spymaster. From the beginning, in each and every chapter, these characters never hold back on pouring all their thoughts and emotions onto the pages. This means, that, one, all their incompetency and foil are exposed to the readers very early on; and two, from the beginning, I know who they are. Maybe not all their histories exactly, but more than enough to predict what they're going to do in any situations. And then, the next time the character's chapter comes around, they are still wallowing in their emotions! Nothing happens until about 40% into the book because every chapter consists of a short dialogue that leads nowhere plus an endless turmoil of repetitive emotions. This style of writing makes me numb because when you start at maximum emotion - the grief, the anger, the fear, the yearning, and the yearning, and more yearning - there is just nowhere else to go. Not for the enmity nor the romance. So, the only thing left to keep me going was the plot which progresses at a snail pace and only picks up around the 70% mark, at which point the story does become significantly more entertaining.
I would still recommend this book if you're someone who enjoy characters with overflowing emotions and beautiful writing. I would also recommend it if you're looking books that explore the themes that I said I appreciated above. But if you're looking for court intrigue, complex schemes, or nuanced characters, I don't think you'll get that from here.
Content Warnings
Graphic: Domestic abuse, Toxic relationship, Blood, Gore, Panic attacks/disorders, and Death
Moderate: Emotional abuse
Minor: Alcohol