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A review by owenwilsonbaby
If Beale Street Could Talk by James Baldwin
dark
emotional
reflective
sad
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
"He laughed. "Baby. Baby. Baby. I love you. And I'm going to build us a table and a whole lot of folks going to be eating off it for a long, long time to come.""
My favourite thing about the line I've quoted above is that I've often seen it shared on social media and I've always been intrigued by it, but having just read it in its original context, it suddenly seems so much richer. This sentiment is true of the novel overall. Having only encountered Baldwin's writing in circulated snippets online and Raoul Peck's absorbing documentary I Am Not Your Negro, I was interested but ultimately uncommitted, ignorant of how truly talented and totally absorbing his narrative voice is. As I read this novel, I felt like my entire understanding of his work expanded. This development felt particularly special because I love Barry Jenkins' adaptation of this book so much and yet it now seems like a small fragment of this book's breathtaking story.
This book is so wonderful and so sad. Baldwin is fantastic with character voice. Tish is such a compelling character and her way of understanding and assessing her world was so sharp, at times both beautiful and funny. My copy was dog-eared by the end from the quotes I wanted to remember and include here. The scene near the beginning where Tish and Fonny have their first date in church and realise that "Now, we knew nobody loved us: or, now, we knew who did. Whoever loved us was not here." The way Baldwin writes about love and sex, which makes it sacred and redemptive. The insight into womanhood, gender, violation and agency was incredible. The scene where Joseph and Frank talk about raising kids despite experiencing poverty. The scene where Daniel discloses the things he endured in prison. The searing indictment of America, whiteness, capitalism and the penal system. All of it. I read this in two sittings. I want to re-read it immediately.
My favourite thing about the line I've quoted above is that I've often seen it shared on social media and I've always been intrigued by it, but having just read it in its original context, it suddenly seems so much richer. This sentiment is true of the novel overall. Having only encountered Baldwin's writing in circulated snippets online and Raoul Peck's absorbing documentary I Am Not Your Negro, I was interested but ultimately uncommitted, ignorant of how truly talented and totally absorbing his narrative voice is. As I read this novel, I felt like my entire understanding of his work expanded. This development felt particularly special because I love Barry Jenkins' adaptation of this book so much and yet it now seems like a small fragment of this book's breathtaking story.
This book is so wonderful and so sad. Baldwin is fantastic with character voice. Tish is such a compelling character and her way of understanding and assessing her world was so sharp, at times both beautiful and funny. My copy was dog-eared by the end from the quotes I wanted to remember and include here. The scene near the beginning where Tish and Fonny have their first date in church and realise that "Now, we knew nobody loved us: or, now, we knew who did. Whoever loved us was not here." The way Baldwin writes about love and sex, which makes it sacred and redemptive. The insight into womanhood, gender, violation and agency was incredible. The scene where Joseph and Frank talk about raising kids despite experiencing poverty. The scene where Daniel discloses the things he endured in prison. The searing indictment of America, whiteness, capitalism and the penal system. All of it. I read this in two sittings. I want to re-read it immediately.
Content Warnings
Graphic: Domestic abuse, Racial slurs, Racism, Rape, Sexual assault, Toxic relationship, Violence, Police brutality, Antisemitism, and Sexual harassment
Minor: Cancer