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A review by lidia7
Kitchen by Banana Yoshimoto
hopeful
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
Spoilers throughout:
This book was a mixed bag for me.
I can see that the author had good intentions but parts of this book did not age well, one of the main characters who is trans is othered, misgendered and her deadname is shared. Her coworker gets a similar treatment. Given that in the second novella (Moonlight Shadow) there's a similar character who is a man grieving for his girlfriend and wearing her clothes, the fact that Eriko transitioned after her wife's death strikes me as odd because it's almost as if it's suggested that Eriko is still a woman because she couldn't let go of her dead wife while Hiiragi stops wearing his girlfriend's clothes once he gets the chance to say goodbye and it's implied he moves on. There's also Eriko's murder, how lgbt characters's lives are often portrayed as tragic and are brutalized in order to move the plot forward? Still, violence against trans women is a real societal issue and it's good to bring awareness to it. I just don't think Banana Yoshimoto was educated enough on trans issues and possibly didn't even know the difference between a trans woman and a drag queen...
Everything I mentioned before *really* took me out of the story so I couldn't connect. I wish the story would be revised at least a little.
The message overall is hopeful even though we follow grieving and lonely characters who are understandably depressed. Kind of reminded me of James Baldwin's Giovanni's Room or Kafka's Metamorphosis - both books and authors that I love but I couldn't love this book. I haven't read a lot of Japanese books but there's a recognizable style. Very hard-hitting, getting to the core of feelings but from a somewhat detached perspective and at times "cheesy".
This book was a mixed bag for me.
I can see that the author had good intentions but parts of this book did not age well, one of the main characters who is trans is othered, misgendered and her deadname is shared. Her coworker gets a similar treatment. Given that in the second novella (Moonlight Shadow) there's a similar character who is a man grieving for his girlfriend and wearing her clothes, the fact that Eriko transitioned after her wife's death strikes me as odd because it's almost as if it's suggested that Eriko is still a woman because she couldn't let go of her dead wife while Hiiragi stops wearing his girlfriend's clothes once he gets the chance to say goodbye and it's implied he moves on. There's also Eriko's murder, how lgbt characters's lives are often portrayed as tragic and are brutalized in order to move the plot forward? Still, violence against trans women is a real societal issue and it's good to bring awareness to it. I just don't think Banana Yoshimoto was educated enough on trans issues and possibly didn't even know the difference between a trans woman and a drag queen...
Everything I mentioned before *really* took me out of the story so I couldn't connect. I wish the story would be revised at least a little.
The message overall is hopeful even though we follow grieving and lonely characters who are understandably depressed. Kind of reminded me of James Baldwin's Giovanni's Room or Kafka's Metamorphosis - both books and authors that I love but I couldn't love this book. I haven't read a lot of Japanese books but there's a recognizable style. Very hard-hitting, getting to the core of feelings but from a somewhat detached perspective and at times "cheesy".
Content Warnings
Graphic: Grief, Transphobia, Death, and Death of parent
Moderate: Deadnaming
Minor: Stalking, Murder, Car accident, and Alcohol