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A review by tinyjude
The Marriage Portrait by Maggie O'Farrell
challenging
dark
mysterious
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
4.0
Another historical fiction novel from O'Farrell that pulls the strings of your heart.
Following a dual timeline, we see Lucrezia, the main protagonist and a big enigma in the real world apart from the fact that she died one year after she had been married to the Duke Alfonso of Ferrara (not suspicious at all; also she was like 15 years old and he doubled her age. Disgusting on so many levels), as she grows up with her family in Florence, being the less-favoured daughter of them all, always deemed as indomitable and worthless of attention or care at any point, as well as her time as a married woman (ehem child ehem) in Ferrara's state, her increasing sense of dread and fear, and her feeling of hopelessness, being trapped into a cage with her days already counted.
It was challenging to read through some of the horrifying things she and the other female characters have to suffer under the rule, command and oppression of the men around them. Whether they were in a economically and socially advantageous situation or were a kind-hearted maid, (we stan Emilia in this house) you couldn't avoid to felt sorry for their fates and lives knowing this was true at that time and, in many senses, still true despite the passage of time. But most of all, my heart stays with Sofia, Emilia and Lucrezia. And mourns and cheers at that bittersweet ending.
I was constantly afraid for Lucrezia safety and majorly concerned by her young age, the societal and marital expectations thrown upon her without almost any guidance or "sweet" lies, but also proud and enthralled by her constant defiance. Every moment in which she stood up for herself silently or loudly. Every time she did not yield to the iron grip of her husband. She is a very complex character for which you simply cannot avoid feeling pity and the need to protect her. And I absolutely adored every moment she relished among her paintings/tavole and instances of freedom.
Although it didn't make me weep like Hamnet, it surely impacted me in other ways that will haunt me for a while.
Following a dual timeline, we see Lucrezia, the main protagonist and a big enigma in the real world apart from the fact that she died one year after she had been married to the Duke Alfonso of Ferrara (not suspicious at all; also she was like 15 years old and he doubled her age. Disgusting on so many levels), as she grows up with her family in Florence, being the less-favoured daughter of them all, always deemed as indomitable and worthless of attention or care at any point, as well as her time as a married woman (ehem child ehem) in Ferrara's state, her increasing sense of dread and fear, and her feeling of hopelessness, being trapped into a cage with her days already counted.
It was challenging to read through some of the horrifying things she and the other female characters have to suffer under the rule, command and oppression of the men around them. Whether they were in a economically and socially advantageous situation or were a kind-hearted maid, (we stan Emilia in this house) you couldn't avoid to felt sorry for their fates and lives knowing this was true at that time and, in many senses, still true despite the passage of time. But most of all, my heart stays with Sofia, Emilia and Lucrezia. And mourns and cheers at that bittersweet ending.
I was constantly afraid for Lucrezia safety and majorly concerned by her young age, the societal and marital expectations thrown upon her without almost any guidance or "sweet" lies, but also proud and enthralled by her constant defiance. Every moment in which she stood up for herself silently or loudly. Every time she did not yield to the iron grip of her husband. She is a very complex character for which you simply cannot avoid feeling pity and the need to protect her. And I absolutely adored every moment she relished among her paintings/tavole and instances of freedom.
Although it didn't make me weep like Hamnet, it surely impacted me in other ways that will haunt me for a while.
Content Warnings
Graphic: Emotional abuse, Sexual content, Rape, Child abuse, Death, Sexual assault, Domestic abuse, Adult/minor relationship, Murder, Classism, Confinement, and Misogyny
Moderate: Religious bigotry, Pregnancy, and Infertility
Minor: Animal death