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A review by ridgewaygirl
Fallout by Sadie Jones
5.0
Sadie Jones's new novel hit me at just the right angle. I fell in love with this book about English theater in the early seventies, when everything was changing. It's the story of three young people who become close friends, opening a theatre together in the rooms above a pub. Paul wants to be a producer, Leigh is the stage manager, and Luke does a little of everything, while he writes plays in his spare time. There's a lot here about the inner workings of plays, described in a way that was both understandable to the layman and utterly absorbing.
But at it's heart, Fallout is a character-driven book. Luke, the son of a taciturn Polish father and a mother who has been in a mental asylum since he was five, is desperate to belong, and he finds security in his friendships with Leigh and Paul. But then he meets Nina, an insecure actress who was raised by a controlling and abusive mother. Paul is an oldest son and he feels his father's disapproval for his uncertain career. And Leigh just wants to work in the field, but not as an actress and she demands that people treat her work with the same respect they'd give a man. She's down to earth, and she steadies both Paul and Luke. They are all in their early twenties, living on their own for the first time, both excited and terrified of the careers they've chosen to pursue.
Fallout is also about London in the 1970s, when social constrictions were loosening, but only so far, and new plays were being written that wanted to say something, co-existing with sex farces designed to take advantage of the new openness toward stage nudity and Shakespeare's eternal presence.
But at it's heart, Fallout is a character-driven book. Luke, the son of a taciturn Polish father and a mother who has been in a mental asylum since he was five, is desperate to belong, and he finds security in his friendships with Leigh and Paul. But then he meets Nina, an insecure actress who was raised by a controlling and abusive mother. Paul is an oldest son and he feels his father's disapproval for his uncertain career. And Leigh just wants to work in the field, but not as an actress and she demands that people treat her work with the same respect they'd give a man. She's down to earth, and she steadies both Paul and Luke. They are all in their early twenties, living on their own for the first time, both excited and terrified of the careers they've chosen to pursue.
Fallout is also about London in the 1970s, when social constrictions were loosening, but only so far, and new plays were being written that wanted to say something, co-existing with sex farces designed to take advantage of the new openness toward stage nudity and Shakespeare's eternal presence.