skylerdeyoung 's review for:

4.0

•”The student mistress was much younger than Sabina, and the musical composition of her life had scarcely been outlined; she was grateful to Franz for the motifs he gave her to insert.”

•”The feeling induced by kitsch must be a kind the multitudes can share. Kitsch may not, therefore, depend on an unusual situation; it must derive from the basic images people have engraved in their memories: the ungrateful daughter, the neglected father, children running on the grass, the motherland betrayed, first love.
Kitsch causes two tears to flow in quick succession. The first tear says: How nice to see children running on the grass! The second tear says: How nice to be moved, together with all mankind, by children running on the grass!
It is the second tear that makes kitsch kitsch.
The brotherhood of man on earth will be possible only on a base of kitsch.”

•”The very beginning of Genesis tells us that God created man in order to give him dominion over fish and fowl and all creatures.
Of course, Genesis was written by a man, not a horse. There is no certainty that God actually did grant man dominion over other creatures. What seems more likely, in fact, is that man invented God to sanctify the dominion that he had usurped for himself over the cow and the horse. Yes, the right to kill a deer or a cow is the only thing all of mankind can agree upon, even during the bloodiest of wars.
The reason we take that right for granted is that we stand at the top of the hierarchy.”

•”How could he have known? How could he have gauged it? Any schoolboy can do experiments in the physics laboratory to test various scientific hypotheses. But man, because he has only one life to live, cannot conduct experiments to test whether to follow his passion (compassion) or not.”

•”He considered music a liberating force: it liberated him from loneliness, introversion, the dust of the library, it opened the door of his body and allowed his soul to step out into the world to make friends. He loved to dance and regretted that Sabina did not share his passion.”

•”For Sabina, living in truth, lying neither to ourselves nor to others, was possible only away from the public: the moment someone keeps an eye on what we do, we involuntary make allowances for that eye, and nothing we do is truthful. Having a public, keeping a public in mind, means living in lies.”

•”That of course was an external “Es muss sein!” reserved for him by social convention, whereas the “Es muss sein!” of his love for medicine was internal. So much the worse for him. Internal imperatives are all the more powerful and therefore all the more of an inducement of revolt”.

•”…is it better to shout and thereby hasten the end, or to keep silent and to gain thereby a slower death?”

“Einmal ist keinmal. What happens but once might as well not have happened at all. The history of the Czechs will not be repeated, nor will the history of Europe. The history of the Czechs and of Europe is a pair of sketches from the pen of mankind’s fateful inexperience. History is as light as individual human life, Unbearably light, light as a feather, as dust swirling into the air, as whatever will no longer exist tomorrow.”