A review by nadiajohnsonbooks
American Psycho by Bret Easton Ellis

dark slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.5

I truly don't know how to articulate my thoughts about this book.

Let's start with what I liked:

I loved the writing style: manic, rambling, and full of non sequiturs that give the genuine feel of intrusive thoughts. I liked the random chapters of music critique and the view into yuppie Manhattan in the late 80s.

The juxtaposition of mundanity and grotesque violence was jarring and really dialed up the horror in a satisfying way.

Elements of the satire (the absolute interchangeability of the Wall Street bros, the new Salvadorian bistro that everyone is excited about but no one ever seems to go to) worked for me.

But a few things didn't sit right with me even upon reflection.

Pat Bateman and all his compatriots are misogynists, racists, and general scumbags. Okay. But the overwhelming use of racial slurs and sexual violence as a plot device felt less like satire or character development and more like a fifteen year old edgelord trying to get his mom's attention.

I suspect my rating of this book will change a few times the more I consider it, but there's no question that it will stick with me.

I know that Ellis left it consciously ambiguous, but I don't get the impression that Bateman actually killed anyone. I think that he (both Ellis and Bateman) is just an edgelord with a uniquely complex inner life. Aside from a couple oblique references to dreaming and the fact that certainly purportedly murdered characters seem to still exist at the periphery of Bateman's social sphere, there doesn't seem to be much evidence to suggest that he did. The obliviousness of everyone around him could be read as a satire of "see something? Mind ya business" manhattanites, but even satire has its limits.
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