A review by ricksilva
The Final Girl Support Group by Grady Hendrix

dark emotional tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

I think I'm the perfect audience for this one. I've got enough familiarity with the 1980s "slasher" horror films that I appreciate the reference, but I'm not enough of a horror movie fan to get nitpicky.

So the concept is a support group for survivors of the "real events" that inspired those slasher films. The author uses renamed but pretty obvious stand-ins for Halloween, Friday the Thirteenth, Nightmare on Elm Street, The Texas Chainsaw Massacre, Scream, Silent Night Deadly Night (really kind of an amalgam of holiday-season horror tropes), and (I am guessing a bit here; this one got the the fewest details) Leprechaun.

The survivors, now middle-aged, meet regularly for group therapy with a therapist specializing in survivors of violence. Now, the violence has found them again. Holiday season massacre survivor Lynette had dedicated her life to isolation and self-protection, but her carefully-laid defenses fall apart and events go out of control rapidly.

This was a fun story with a lot of nostalgia and some solid deconstructing of the horror movie tropes that inspired it. The characters are all flawed and scarred, but they were great fun to cheer on. The plot was loaded with twists, some predictable, but a decent amount unexpected.

The story is extremely violent, especially in the flashbacks to the horror movie scenarios, which are made more disturbing because we get to see the realist aftermaths of movies that normally cut to credits the moment the action is over. The grief, trauma, and long-term injuries give further impact to the violence of the various murder sprees.

The worldbuilding based on the premise that all of the slasher films were actual movies but were adaptations of the stories of real crimes was intriguing, and there was enough left unanswered (especially about this world's version of Nightmare on Elm Street) to warrant a sequel. Which is something every good (and almost every bad) slasher film should have.

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