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A review by eiderweek
The Forensic Certified Public Accountant and the Cremated 64-Squares Financial Statements by Dwight David Thrash CPA FCPA CGMA, Dwight David Thrash CPA FCPA CGMA
3.0
This is kind of awesome.
Titus Uno, CPA FCPA CGMA, must, with the help of his three person or four person including himself, team, track down the villainous "cat burglar terrorist" who blew up a building (fortunately nobody was hurt).
Very repetitive, with lots of sections copied and pasted. Quite often the narrator just, mid chapter, repeats the same spiel listing his job title and his purpose to track down the "cat burglar terrorist".
Crime novels often are repetitive, if they are going around interviewing people. This is like that but to an extreme. Each character (of which each are barely characters) has their life recounted, particularly how they met their spouse and how they are loved by everyone in their church.
There is almost no dialogue whatsoever, and this is all told like a report, very passively and narrated outside of the action going on.
But because of this it reads like what if an accountant was a super super corporate detective. This is kind of awesome.
I think my favourite part was when Titus takes a full chapter to examine whether the culprit had motive, means and opportunity (The conclusion is that that was most probable)
Titus Uno, CPA FCPA CGMA, must, with the help of his three person or four person including himself, team, track down the villainous "cat burglar terrorist" who blew up a building (fortunately nobody was hurt).
Very repetitive, with lots of sections copied and pasted. Quite often the narrator just, mid chapter, repeats the same spiel listing his job title and his purpose to track down the "cat burglar terrorist".
Crime novels often are repetitive, if they are going around interviewing people. This is like that but to an extreme. Each character (of which each are barely characters) has their life recounted, particularly how they met their spouse and how they are loved by everyone in their church.
There is almost no dialogue whatsoever, and this is all told like a report, very passively and narrated outside of the action going on.
But because of this it reads like what if an accountant was a super super corporate detective. This is kind of awesome.
I think my favourite part was when Titus takes a full chapter to examine whether the culprit had motive, means and opportunity (The conclusion is that that was most probable)