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A review by book_concierge
The Last Romantics by Tara Conklin
4.0
Digital Audio performed by Cassandra Campbell.
A family epic following the four Skinner siblings over several decades. It begins with a tragedy – the death of their father, and their mother’s subsequent depression. Renee, Caroline, Joe and Fiona are basically left to their own devices over a summer, protecting each other and their mother from intrusion as much as they are able. The result of what they always refer to as “the Pause” is that they are fiercely loyal to one another. Two decades later that connection will be tested by another tragedy.
I love character-driven novels, getting to know and understand the psychology of the characters as they cause and/or react to events in their lives. In this case the siblings’ early experience makes them guarded and as the point of view shifts from character to character and from one time frame to another, that guardedness makes it easy to understand how outsiders (i.e. those outside the family) would be unaware of the need and/or unwilling to assist.
That these four people are damaged by their childhood is without question. The ways they find to cope, or not, is what fascinated me in the novel. I recognized how the roles taken on by siblings in childhood often continue into adulthood; that’s certainly true in m own family, and we didn’t suffer the trauma of losing a parent during our formative years.
I was sorry that COVID19 interrupted our book club’s scheduled meeting on this work. I would certainly have enjoyed that discussion.
Cassandra Campbell is a talented voice artist and does a marvelous job performing the audio. However, the complexity of the novel’s structure, with changing points of views and timeframes, made it a bit more challenging in this format. If I re-read it, I’ll do so in text format.
A family epic following the four Skinner siblings over several decades. It begins with a tragedy – the death of their father, and their mother’s subsequent depression. Renee, Caroline, Joe and Fiona are basically left to their own devices over a summer, protecting each other and their mother from intrusion as much as they are able. The result of what they always refer to as “the Pause” is that they are fiercely loyal to one another. Two decades later that connection will be tested by another tragedy.
I love character-driven novels, getting to know and understand the psychology of the characters as they cause and/or react to events in their lives. In this case the siblings’ early experience makes them guarded and as the point of view shifts from character to character and from one time frame to another, that guardedness makes it easy to understand how outsiders (i.e. those outside the family) would be unaware of the need and/or unwilling to assist.
That these four people are damaged by their childhood is without question. The ways they find to cope, or not, is what fascinated me in the novel. I recognized how the roles taken on by siblings in childhood often continue into adulthood; that’s certainly true in m own family, and we didn’t suffer the trauma of losing a parent during our formative years.
I was sorry that COVID19 interrupted our book club’s scheduled meeting on this work. I would certainly have enjoyed that discussion.
Cassandra Campbell is a talented voice artist and does a marvelous job performing the audio. However, the complexity of the novel’s structure, with changing points of views and timeframes, made it a bit more challenging in this format. If I re-read it, I’ll do so in text format.