A review by bzliz
Murder Your Employer: The McMasters Guide to Homicide by Rupert Holmes

dark funny mysterious medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

4.75

This is everything I love in a campy mystery- it’s quirky, laugh out loud funny, and perfectly convoluted. And after finishing it I’ve learned that the author is the same Rupert Holmes who is a 2 time Tony winner and wrote the Piña Colada song. If I believed in such things I’d say it’s proof that god really does have favorites because this man is supremely talented. 

The manner is which the story is told could be confusing for anyone not in the right headspace. Primarily it is a manuscript written by the Dean of a university for would-be murderers (aka deletists)- telling the story of three students of the school, all angling to kill their employers, and we learn that one of them will not be successful. Cliff Iverson’s story is told primarily through journal entries as he must document his studies for his sponsor, whereas Gemma Lindley’s and Doria Maye’s (aka Dulcie Mown) stories are told primarily through a third person omniscient narrator. It is implied that these omniscient sections are retellings of their events from undercover agents and former graduates of McMasters. Additionally, the book is split in two clear parts. The first takes place at the school where our student heroes are learning all the skills they need to become well-rounded deletists; the second is their return to the real world where they must complete their thesis (murder) in order to graduate and failure will result in their own deletion. 

The only reason I cannot give this a full five stars is the tendency to use underlines to ensure a pun, double entendre, joke, etc lands correctly. It was distracting for me. I will still readily recommend this to anyone looking for a mystery book that takes an unconventional approach to the subject. 

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