A review by plushmaya
The Traitor Baru Cormorant by Seth Dickinson

adventurous dark mysterious slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.5

My problem with this book is a problem endemic among war books: it loses itself to the story beats the author wants to hit while neglecting to meaningfully engage with its themes. This pattern is particularly disappointing in Baru Cormorant, a book that sets up ostensibly complex ideas of colonization, identity, eugenics, and power but refuses to spend much time with them. Dickinson has set up an interesting concept— a woman injured by empire deciding to become its agent— but fails to reach a meaningful conclusion. A war starts. It doesn't mean much. Characters are numerous and opaque, including Baru herself, and they die frequently, swiftly, and without much fanfare. This style of killing players off could be effective and meaningful, given the war narrative, but for all but a few cases, we aren't given enough information to care. Dickinson decides to set up mystery by revealing nothing to readers. The final twist feels especially lackluster: without enough information to know what's coming and dread it, it has none of the emotional payoff it was presumably intended to have.

This isn't to say I hate the book completely; the prose is fine and some characters are eyecatching. Tain Hu was clearly meant to be one of the more interesting characters and it works, although she remains a bit bland from Baru's perspective. Purity Cartone is probably the most fascinating character in the book, despite possessing a small part, because Dickinson follows through on what he sets up in ways that both provide a satisfying conclusion and further questions that tie in to broader ideas about both Falcrest and imperialism.

This book would be good for those who enjoyed R. F. Kuang's The Poppy War (I didn't), but best skipped by those who prefer war stories like Samantha Shannon's Priory of the Orange Tree. Maybe the sequels are better; I'm not left interested enough to read them.

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