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A review by melanie_page
Magic's Price by Mercedes Lackey
5.0
Magic’s Price is the last book in The Last Herald Mage trilogy. Because the first book, Magic’s Promise, introduced us to half a dozen herald mages, it was easy to assume they’d all have to die so Vanyel could be the last one around. And in Magic’s Price, the deaths begin. . .
Vanyel, always overworked, is now stressed because his king is on his death bed. The healers don’t know what ails him and cannot relieve his pain without strong drugs. Then, Vanyel is approached and told of a bard named Stefen who can sing away pain. Doubtful, Vanyel has the seventeen-year-old former street urchin fetched. It works! The king is able to sit up and be alert for court, making everyone feel relief and Vanyel thankful. But Stefen feels something else. Never wealthy, he cares less about royal court and more about how is heart thumps harder when Vanyel is around.
Again, Vanyel is sent home to vacation with his family, this time his aunt, herald mage Savil, and Stefen come with him. But when a blood mage attacks Vanyel on his family’s property, drastic action must happen: Vanyel moves his parents to the capitol, thinking they are safe. The rest of the book details how herald mages are killed surreptitiously, and Vanyel’s rage sends him after the powerful blood mage he has seen in his dreams since Magic’s Pawn, in which Vanyel is defeated on an ice mountain.
When I was sixteen, this book destroyed me so hard that I didn’t pick up another Lackey novel, even though I owned another trilogy. I was too tender-hearted. This time around, I knew more about the heralds hundreds of years after Vanyel’s tale ends, which gave me heart. To know that Valdemar is more organized and the Companions still bond with a Chosen who is trained to be a herald made me feel lighter.
On my first reading 18 years ago, I hadn’t realized that during Vanyel’s time, heralds were seen as ersatz herald mages. Vanyel disagrees with that notion:
The narration is smoother each book, too. Lackey stops italicizing internal monologues and makes proper use of her chosen third-person point of view. As if catching on to how it’s used, she also lets readers into Stefen’s mind, and occasionally Vanyel’s aunt, Savil’s. Too much first-person internal dialogue has driven me batty in the past.
The political intrigue is set up clearly. Not only does a blood mage who plans to destroy Valdemar terrorize Vanyel. Neighboring Karse has a young man who has risen up and declared himself The Prophet and is against mages. Karse seems like it has been and always will be a pain in Valdemar’s arse, regardless of the century. Lackey prevents the Magic’s Price from feeling predictable by acknowledging ongoing political issues beyond the main story line.
She also lightens the story with love. Unexpected romance hits the court and surprises everyone. Also, Vanyel tries to understand bard Stefen, who is always there to help and comfort. The two enjoy each other’s company and find ease in long nights talking and drinking wine, but it’s clear Stefen wants more. Stefen’s love makes Vanyel’s efforts to save Valdemar feel worth it; it’s no longer a place with a faceless population, but a auburn-haired young man who makes beautiful music.
Review originally published (with pics of how I envision Stefen and Vanyel!) at Grab the Lapels.
Vanyel, always overworked, is now stressed because his king is on his death bed. The healers don’t know what ails him and cannot relieve his pain without strong drugs. Then, Vanyel is approached and told of a bard named Stefen who can sing away pain. Doubtful, Vanyel has the seventeen-year-old former street urchin fetched. It works! The king is able to sit up and be alert for court, making everyone feel relief and Vanyel thankful. But Stefen feels something else. Never wealthy, he cares less about royal court and more about how is heart thumps harder when Vanyel is around.
Again, Vanyel is sent home to vacation with his family, this time his aunt, herald mage Savil, and Stefen come with him. But when a blood mage attacks Vanyel on his family’s property, drastic action must happen: Vanyel moves his parents to the capitol, thinking they are safe. The rest of the book details how herald mages are killed surreptitiously, and Vanyel’s rage sends him after the powerful blood mage he has seen in his dreams since Magic’s Pawn, in which Vanyel is defeated on an ice mountain.
When I was sixteen, this book destroyed me so hard that I didn’t pick up another Lackey novel, even though I owned another trilogy. I was too tender-hearted. This time around, I knew more about the heralds hundreds of years after Vanyel’s tale ends, which gave me heart. To know that Valdemar is more organized and the Companions still bond with a Chosen who is trained to be a herald made me feel lighter.
On my first reading 18 years ago, I hadn’t realized that during Vanyel’s time, heralds were seen as ersatz herald mages. Vanyel disagrees with that notion:
“. . .most mages don’t have strong Gifts in anything other than sensing and manipulating magical energy. . . .They won’t be protected against a FarSeer spying on their work — or a ThoughtSenser reading their minds. Or a Fetcher moving something they need for a spell at a critical moment.”You can’t throw magic at everything. And so one of Vanyel’s final goals is to convince the court, the kingdom, and the heralds themselves that heralds’ don’t have to have mage Gifts to be useful — and uses bard Stefen to spread the word. Having better information made me love the book that much more, because it didn’t feel hopeless.
The narration is smoother each book, too. Lackey stops italicizing internal monologues and makes proper use of her chosen third-person point of view. As if catching on to how it’s used, she also lets readers into Stefen’s mind, and occasionally Vanyel’s aunt, Savil’s. Too much first-person internal dialogue has driven me batty in the past.
The political intrigue is set up clearly. Not only does a blood mage who plans to destroy Valdemar terrorize Vanyel. Neighboring Karse has a young man who has risen up and declared himself The Prophet and is against mages. Karse seems like it has been and always will be a pain in Valdemar’s arse, regardless of the century. Lackey prevents the Magic’s Price from feeling predictable by acknowledging ongoing political issues beyond the main story line.
She also lightens the story with love. Unexpected romance hits the court and surprises everyone. Also, Vanyel tries to understand bard Stefen, who is always there to help and comfort. The two enjoy each other’s company and find ease in long nights talking and drinking wine, but it’s clear Stefen wants more. Stefen’s love makes Vanyel’s efforts to save Valdemar feel worth it; it’s no longer a place with a faceless population, but a auburn-haired young man who makes beautiful music.
Review originally published (with pics of how I envision Stefen and Vanyel!) at Grab the Lapels.