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A review by ninegladiolus
First, Become Ashes by K.M. Szpara
challenging
dark
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
2.0
After enjoying Szpara’s debut novel, Docile—while also recognizing and acknowledging the important critiques around how race was represented within it—I wanted to give his sophomore work a shot. I’m a sucker for cult stories, unreliable narrators, messy relationships, and explorations of deep rooted trauma, especially when they involve queer characters and are written by a queer author, and that’s what I thought I would be getting out of this. And I did get that… sort of? The ‘sort of’ part is more where my critique of First, Become Ashes rests.
Before we begin, I want to preface this review by stating that my rating isn’t influenced by the content warned for at the beginning of the book: “explicit sadomasochism and sexual content, as well as abuse and consent violations, including rape.” I can confirm those are all present and in many cases rendered in excruciating detail, so if any of those themes are upsetting to you at all, please give this one a pass. Having spent so much time in the realm of fanfiction (which is wonderful, contains many valid and beautiful stories both explicit and for general audiences, and is a valid form of writing and reading and personal exploration), there’s… y’all, there’s not a lot I HAVEN’T seen at this point. The two stars is not for the content that is sometimes deeply disturbing, sometimes charged and erotic, and sometimes a deliberate mixture of the two many may find challenging or not for them.
The story follows three primary POVs: Lark, our protagonist and Anointed one who is deeply entrenched in the abuse and beliefs of the Fellowship; Kane, his Anointed partner in multiple senses of the word who leaves Lark and then shows up again during the FBI raid on the Fellowship that opens up the book; and Calvin, successful cosplayer, influencer, and all around nerd. We also have Deryn, a non-binary POV character who believes themself to be Lark’s sibling, who has chapters sporadically throughout the novel. In addition to these four rotating POVs, we also have different time lines, split into Now/’Confidential’ (Past).
I think this novel suffered for the jarring and tonally dissonant mashing up of time lines. In the now, we follow Lark’s journey after the cult is busted but while he still believes he needs to go on his quests to kill ambiguously referenced ‘monsters’, teaming up with Calvin after they encounter one another at a convention by chance. From numerous pop culture references—including 6 or 7 Harry Potter references, which truly I thought we were done with—to wild treks in the woods, to learning how to use a cell phone, to sadomasochistic rituals on the side of the highway to recharge ‘magic’, to sensual hair washing, the Now time line is all over the place for me. Even with the wide swathe of topics covered in the Now, I could still get on board with it if it was more focused on Lark and how he comes to terms with the raid on the Fellowship and his subsequent entry into the ‘real’ world.
However, the juxtaposition of the ‘Confidential’ time line, which largely deals with Kane recounting the massive amounts of trauma and abuse the members of the Fellowship underwent (and contains the most intense, though not all, of the content warnings listed at the beginning of the book/review) made the structure of this book hard to follow. I don’t feel this novel was well served by the insertion of Massive Trauma, Stage Left after the chaotic modern day shenanigans of the other time line. A narrative digging deep into the Fellowship and its abuses, while it would have been hard to read, would have made for a more compelling story. As it stands, even though I don’t believe this was the intent of choosing to interweave the two stories, Kane’s ‘Confidential’ time line ended up feeling wildly jarring and out of place. It seemed positioned for shock value in some cases and taboo titillation—which again, your kink is not my kink—in others which disrupted the coherency of the story. Add in Deryn’s POV, which I’m still not sure what it aimed to accomplish aside from a thin link to ideas about familial connection and redemption (even though hey, non-binary character who uses they/them pronouns, cool), and you have a tangled mess of elements pulling in several entirely separate directions.
The other main reason this book didn’t work for me was a lack of character motivation. We are told Lark needs to kill a monster, but we are not sold on the why other than ‘he believes it’, and the comparatively little space we get of him unpacking his trauma feels rushed. We are meant to believe Calvin would leave his normal, successful life complete with friends and support systems on two premises: that he’s so desperate to feel special he wants to believe ‘magic’ exists, and that Lark looks super hot dressed as an elf. Kane has the strongest and most sensible motivations in the beginning, but some of the choices he makes late game are perplexing and nonsensical to me. And again, beyond Deryn’s conviction that a blood relation means something, I wasn’t sold on why they chose to do the things they did within the novel beyond the motivations I was told and not shown.
Add in weak antagonists who are poorly developed or taken off screen without a satisfying payoff for the reader, women painted exclusively as sidekicks or villains yet again, and several key elements of the worldbuilding left ambiguous to the point of ‘frustrating’ instead of ‘intriguing’, and I sadly have to say First, Become Ashes wasn’t for me.
Your mileage, of course, may vary. I would have loved to see either the cult trauma or the (anti?) hero’s journey story lines delved into more deeply rather than the confusing mash that was the two. The jury is out at this point if I will be picking up another Szpara novel; despite his exploration of topics I SHOULD be interested in, I think there’s just too much of a differential in the lenses we approach them through. As long as you are in a space to handle the provided content warnings, I think those who choose to pick it up will have strong opinions one way or the other about First, Become Ashes. It’s not a story that provides a lot of room for a middle of the road opinion, and unfortunately I fell on the less favourable side.
Thank you to Tor and NetGalley for an advance copy in exchange for an honest review. All opinions are my own.
Before we begin, I want to preface this review by stating that my rating isn’t influenced by the content warned for at the beginning of the book: “explicit sadomasochism and sexual content, as well as abuse and consent violations, including rape.” I can confirm those are all present and in many cases rendered in excruciating detail, so if any of those themes are upsetting to you at all, please give this one a pass. Having spent so much time in the realm of fanfiction (which is wonderful, contains many valid and beautiful stories both explicit and for general audiences, and is a valid form of writing and reading and personal exploration), there’s… y’all, there’s not a lot I HAVEN’T seen at this point. The two stars is not for the content that is sometimes deeply disturbing, sometimes charged and erotic, and sometimes a deliberate mixture of the two many may find challenging or not for them.
The story follows three primary POVs: Lark, our protagonist and Anointed one who is deeply entrenched in the abuse and beliefs of the Fellowship; Kane, his Anointed partner in multiple senses of the word who leaves Lark and then shows up again during the FBI raid on the Fellowship that opens up the book; and Calvin, successful cosplayer, influencer, and all around nerd. We also have Deryn, a non-binary POV character who believes themself to be Lark’s sibling, who has chapters sporadically throughout the novel. In addition to these four rotating POVs, we also have different time lines, split into Now/’Confidential’ (Past).
I think this novel suffered for the jarring and tonally dissonant mashing up of time lines. In the now, we follow Lark’s journey after the cult is busted but while he still believes he needs to go on his quests to kill ambiguously referenced ‘monsters’, teaming up with Calvin after they encounter one another at a convention by chance. From numerous pop culture references—including 6 or 7 Harry Potter references, which truly I thought we were done with—to wild treks in the woods, to learning how to use a cell phone, to sadomasochistic rituals on the side of the highway to recharge ‘magic’, to sensual hair washing, the Now time line is all over the place for me. Even with the wide swathe of topics covered in the Now, I could still get on board with it if it was more focused on Lark and how he comes to terms with the raid on the Fellowship and his subsequent entry into the ‘real’ world.
However, the juxtaposition of the ‘Confidential’ time line, which largely deals with Kane recounting the massive amounts of trauma and abuse the members of the Fellowship underwent (and contains the most intense, though not all, of the content warnings listed at the beginning of the book/review) made the structure of this book hard to follow. I don’t feel this novel was well served by the insertion of Massive Trauma, Stage Left after the chaotic modern day shenanigans of the other time line. A narrative digging deep into the Fellowship and its abuses, while it would have been hard to read, would have made for a more compelling story. As it stands, even though I don’t believe this was the intent of choosing to interweave the two stories, Kane’s ‘Confidential’ time line ended up feeling wildly jarring and out of place. It seemed positioned for shock value in some cases and taboo titillation—which again, your kink is not my kink—in others which disrupted the coherency of the story. Add in Deryn’s POV, which I’m still not sure what it aimed to accomplish aside from a thin link to ideas about familial connection and redemption (even though hey, non-binary character who uses they/them pronouns, cool), and you have a tangled mess of elements pulling in several entirely separate directions.
The other main reason this book didn’t work for me was a lack of character motivation. We are told Lark needs to kill a monster, but we are not sold on the why other than ‘he believes it’, and the comparatively little space we get of him unpacking his trauma feels rushed. We are meant to believe Calvin would leave his normal, successful life complete with friends and support systems on two premises: that he’s so desperate to feel special he wants to believe ‘magic’ exists, and that Lark looks super hot dressed as an elf. Kane has the strongest and most sensible motivations in the beginning, but some of the choices he makes late game are perplexing and nonsensical to me. And again, beyond Deryn’s conviction that a blood relation means something, I wasn’t sold on why they chose to do the things they did within the novel beyond the motivations I was told and not shown.
Add in weak antagonists who are poorly developed or taken off screen without a satisfying payoff for the reader, women painted exclusively as sidekicks or villains yet again, and several key elements of the worldbuilding left ambiguous to the point of ‘frustrating’ instead of ‘intriguing’, and I sadly have to say First, Become Ashes wasn’t for me.
Your mileage, of course, may vary. I would have loved to see either the cult trauma or the (anti?) hero’s journey story lines delved into more deeply rather than the confusing mash that was the two. The jury is out at this point if I will be picking up another Szpara novel; despite his exploration of topics I SHOULD be interested in, I think there’s just too much of a differential in the lenses we approach them through. As long as you are in a space to handle the provided content warnings, I think those who choose to pick it up will have strong opinions one way or the other about First, Become Ashes. It’s not a story that provides a lot of room for a middle of the road opinion, and unfortunately I fell on the less favourable side.
Thank you to Tor and NetGalley for an advance copy in exchange for an honest review. All opinions are my own.
Content Warnings
Graphic: Blood, Emotional abuse, Physical abuse, Rape, Self harm, Sexual assault, Sexual content, and Sexual violence