A review by ridgewaygirl
The Hilliker Curse: My Pursuit of Women: A Memoir by James Ellroy, James Ellroy

3.0

I've never been a fan of James Ellroy's noir-tinged novels set in post-war Los Angeles. He's got the hard-boiled patter down, but the stories never felt real. Twenty years ago, however, he wrote a book about his mother and, despite the unrelenting patois, the book sizzles with dysfunction and a reconciliation forever lost. In My Dark Places, Ellroy revisits his mother's murder from the direction of a cold case. He'd been ten years old at the time, his parents were divorced and his relationship with his mother was not great. He had wished her dead just three months earlier. My Dark Places is an amazing book. It's not particularly well-written, Ellroy can't leave the detective magazine lingo behind and refers to his mother, somewhat disconcertingly, as the Redhead throughout the book, but it resonates with emotion and regret.

The Hilliker Curse is his follow-up memoir and in it he attributes his string of failed relationships to his abruptly truncated relationship with his mother. He's not without self-awareness, something that is usually missing in books about infidelity: I always get what I want. I more often than not suffocate or discard what I want the most. It cuts me loose to yearn and profitably repeat the pattern. He's selfish to an astonishing degree, driven, self-obsessed and deeply religious (the justifications for breaking up marriages, his own and those of the women he meets are a little shaky).

Ellroy begins with his own parents' marriage. They divorced when he was young, or as Ellroy put it: My parents split the sheets later that year. Jean Hilliker got primary custody. She put my dad on skates and rolled him to a cheap pad a few blocks away. Ellroy's father gets him back after his mother's murder, but isn't what could be even loosely termed a good father. Ellroy ends up in a wretched basement apartment, hooked on Benzedrex inhalers and any pills he finds in the Hancock Park homes he breaks into. He has, not surprisingly, trouble finding a girl willing to go out with him.

Surprisingly, Ellroy's odd pulp-fiction language serves this book well. It would just be too intense without the distance of obsolete idioms. He gets clean, using AA as a support and a place to meet women: Only lonely and haunted women would grok my gravity. They were sister misfits attuned to my wavelength. Only they grooved internal discourse and sex as sanctified flame. Their soiled souls were socked in sync with yours truly.

As Ellroy's fortunes improve, it becomes more apparent what an ass he is. All the heavy lifting in relationships is done by his partners. When married, he does not do any domestic chores, but needs to eat well and live in nice surroundings. He prefers solitude with his partner of the moment and so discourages any sort of social life in his wives. He hates other places. Amsterdam is described as Truly Shitsville and he leaves sightseeing in Paris for the geeks, freaks and fruitcake artistes.

What saves this book in the end is Ellroy's honesty and a sense of fair play toward the women in his life. The relationships may have all soured, but he's willing to put the blame squarely on his own shoulders, and even figures out toward the end that his mother was not the bad guy in his story.