A review by booksandboba
The Goldfinch by Donna Tartt

dark reflective slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes
I can’t give a star/numerical rating to this book because I really don’t know how to describe my feelings.

When I first read it, I loved it, loved the writing style and character development (it was my first or one of my first encounters with writing like this), really related to descriptions of anxiety and depression, considered it my favorite book. Read it a second time and started forming doubts, particularly with noticing issues of classism and racism. Read it a third time, this time annotating heavily for themes present throughout the book (question of fate vs free will, good vs bad and moral responsibility, depression and grief vs hope, art and its beauty and importance, friendship and love, impermanence vs permanence, time, life and death) and enjoyed doing that, but in doing so realized that the book really could have been edited better. I found the ending to be sloppy and not satisfying. And the way that blatant racism is used in the book (equating East Asian and especially Chinese culture and objects with cheapness) is just appalling.

And apparently it took 10 years or more to write this book, which either means that those choices were deliberate and well-thought out, choosing to only have people of color represented in minor roles mostly as working class serving the white upper class, choosing to use racist notions to make character points, or she somehow in all that time failed to consider these choices — why she might be making them, what they mean, what sort of impact they would have — despite the clear time and attention to detail given to making this book. 

Maybe you can claim that Theo, as a character, is racist, and that it just adds to the long list of character flaws and why we can’t trust him as a reliable narrator etc., but we already have so many examples so why would this be necessary? The racism does not directly connect to a point that needs to made either for plot or theme as far as I can see, and even if Theo as a character is just racist, that still doesn’t explain why the only people of color we encounter are in working class positions, save maybe the two social workers. (And he can’t even remember the Korean woman’s name, and just has to mention that her breath smells like garlic?)

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