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A review by amyvl93
Blonde Roots by Bernardine Evaristo
challenging
funny
reflective
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
I have loved both of the previous Evaristo novels I've read, so perhaps I was due one that didn't quite land as well for me. In Blonde Roots , Evaristo takes an alternative look at history - where white people are enslaved and black people are the ones exploiting their labour and experiencing the benefits of labour. Our story is narrated by Doris, a young white woman whose rural childhood is disreputed when she is snatched from fields in England and sold into slavery.
It is clear that Evaristo had a lot of fun playing with places, geographies and what a world steeped in black culture for hundreds of years would look like, in comparison to one dominated by white culture. There's some interesting reflections in particular on beauty standards and relationships - however, after a while these start getting a little grating. Whilst the sense of place of individual locations is strong, the narrative also feels at times unmoored from a sense of time - is this taking place now, in the past, somewhere in between?
What does makes this book readable still is Evaristo's impactful writing; her reinterpretation of the middle passage is excellent, as are scenes later on in the novel where Doris really starts to feel the horrors of her situation.
I'm not necessarily sure I would recommend Blonde Roots as a place to start with Evaristo's work, but for completists it's probably worth a read.
It is clear that Evaristo had a lot of fun playing with places, geographies and what a world steeped in black culture for hundreds of years would look like, in comparison to one dominated by white culture. There's some interesting reflections in particular on beauty standards and relationships - however, after a while these start getting a little grating. Whilst the sense of place of individual locations is strong, the narrative also feels at times unmoored from a sense of time - is this taking place now, in the past, somewhere in between?
What does makes this book readable still is Evaristo's impactful writing; her reinterpretation of the middle passage is excellent, as are scenes later on in the novel where Doris really starts to feel the horrors of her situation.
I'm not necessarily sure I would recommend Blonde Roots as a place to start with Evaristo's work, but for completists it's probably worth a read.
Content Warnings
Graphic: Racism, Slavery, Murder, and Torture
Moderate: Sexual assault and Rape