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A review by fictionfan
Arms and the Women by Reginald Hill
4.0
Bring back the men…
After the events of the previous book, Ellie Pascoe is indulging in some self-prescribed therapy by writing a never-to-be-published story about the Greeks and Trojans, starring a version of Odysseus who bears a remarkable resemblance to Andy Dalziel. Then two strangers arrive at her door one afternoon and attempt to abduct her. While the police try to find out what’s going on, Ellie agrees to make herself scarce for a bit, and retreats to an isolated house by the sea, owned by her friend Daphne Alderman who accompanies her. DC Shirley Novello, “Ivor” as Dalziel calls her, is sent along as protection, and Ellie takes her young daughter, Rosie. This group is enlarged by the inclusion of a neighbour of Daphne’s – Feenie McCallum, an elderly lady with a mysterious past. Naturally the baddies will find them, and the women will have to protect themselves and each other while waiting for the cavalry, in the persons of Dalziel and Pascoe, to ride to the rescue.
By this late stage in the series Hill is trying new things in each book, which sometimes work and sometimes don’t quite. Here he plays with Ellie’s re-writing of the story of Odysseus and there are large sections of her manuscript interspersed throughout the main story. While these are well written and quite fun, they simply get in the way of the plot, making the book overlong and slowing it down to a crawl. Also he decides to concentrate almost entirely on the women, as the title implies, meaning that Dalziel, Pascoe and Wield are relegated to the sidelines and barely appear. Since those are the three characters who hold the series together this was a brave choice, but from my perspective not a good one. The plot is desperately convoluted too, and goes so far over the credibility line it nearly disappears over the horizon. Lastly, as I’ve mentioned before, I find it irritating that Pascoe has to deal with a family-related trauma in nearly every book at this later stage in the series.
As always with Hill, the writing is a joy, and there’s plenty of humour along with some tense, exciting scenes, so it’s still very readable. But it’s one of my least favourites and I’d really only recommend it to Dalziel and Pascoe completists. 3½ stars for me, so rounded up.
www.fictionfanblog.wordpress.com
After the events of the previous book, Ellie Pascoe is indulging in some self-prescribed therapy by writing a never-to-be-published story about the Greeks and Trojans, starring a version of Odysseus who bears a remarkable resemblance to Andy Dalziel. Then two strangers arrive at her door one afternoon and attempt to abduct her. While the police try to find out what’s going on, Ellie agrees to make herself scarce for a bit, and retreats to an isolated house by the sea, owned by her friend Daphne Alderman who accompanies her. DC Shirley Novello, “Ivor” as Dalziel calls her, is sent along as protection, and Ellie takes her young daughter, Rosie. This group is enlarged by the inclusion of a neighbour of Daphne’s – Feenie McCallum, an elderly lady with a mysterious past. Naturally the baddies will find them, and the women will have to protect themselves and each other while waiting for the cavalry, in the persons of Dalziel and Pascoe, to ride to the rescue.
By this late stage in the series Hill is trying new things in each book, which sometimes work and sometimes don’t quite. Here he plays with Ellie’s re-writing of the story of Odysseus and there are large sections of her manuscript interspersed throughout the main story. While these are well written and quite fun, they simply get in the way of the plot, making the book overlong and slowing it down to a crawl. Also he decides to concentrate almost entirely on the women, as the title implies, meaning that Dalziel, Pascoe and Wield are relegated to the sidelines and barely appear. Since those are the three characters who hold the series together this was a brave choice, but from my perspective not a good one. The plot is desperately convoluted too, and goes so far over the credibility line it nearly disappears over the horizon. Lastly, as I’ve mentioned before, I find it irritating that Pascoe has to deal with a family-related trauma in nearly every book at this later stage in the series.
As always with Hill, the writing is a joy, and there’s plenty of humour along with some tense, exciting scenes, so it’s still very readable. But it’s one of my least favourites and I’d really only recommend it to Dalziel and Pascoe completists. 3½ stars for me, so rounded up.
www.fictionfanblog.wordpress.com