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whatsheread 's review for:
Visions in Death
by Nora Roberts, J.D. Robb
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Book nineteen in J. D. Robb's In Death series is VISIONS IN DEATH. As usual, Eve must solve a heinous crime while balancing her life as a billionaire's wife. This time, the murderer hits a little too close to home, and Eve has to rush to find the killer before he attacks another person she loves.
Some of Eve's cases have been terrible but not disturbing. In VISIONS OF DEATH, the murders are awful, made worse by the fact that Eve meets with a psychic who relives the murders in detail. If Ms. Robb was writing these books today, this one would definitely have a trigger warning at the beginning.
What eases some of the trauma is watching Eve learn what it means to have friends and what it means to be a friend. Intimate dinner parties, saying yes to a friend's request for help, and sharing your most private secret - these seem like such easy things, but for Eve, they are monumental steps forward.
Susan Erickson remains one of the best narrators. In the last book, you could tell she suffered from a cold because her character voices were off. Roarke's Irish lilt wasn't quite there. Peabody's voice was lower. In VISIONS IN DEATH, she recovered from whatever was ailing her, and everyone sounds like they should.
Nineteen books in, and Eve Dallas' story keeps getting better. I love seeing her grow as much as I enjoy the reminders of how much more she needs to heal. (The scene with Mavis asking Roarke and Eve for a huge favor is particularly entertaining.) The murders in VISIONS IN DEATH are just as fascinating and disturbing as the first few. I can't wait to see what is next!
Some of Eve's cases have been terrible but not disturbing. In VISIONS OF DEATH, the murders are awful, made worse by the fact that Eve meets with a psychic who relives the murders in detail. If Ms. Robb was writing these books today, this one would definitely have a trigger warning at the beginning.
What eases some of the trauma is watching Eve learn what it means to have friends and what it means to be a friend. Intimate dinner parties, saying yes to a friend's request for help, and sharing your most private secret - these seem like such easy things, but for Eve, they are monumental steps forward.
Susan Erickson remains one of the best narrators. In the last book, you could tell she suffered from a cold because her character voices were off. Roarke's Irish lilt wasn't quite there. Peabody's voice was lower. In VISIONS IN DEATH, she recovered from whatever was ailing her, and everyone sounds like they should.
Nineteen books in, and Eve Dallas' story keeps getting better. I love seeing her grow as much as I enjoy the reminders of how much more she needs to heal. (The scene with Mavis asking Roarke and Eve for a huge favor is particularly entertaining.) The murders in VISIONS IN DEATH are just as fascinating and disturbing as the first few. I can't wait to see what is next!