A review by debatably_relavent
Monstress, Vol. 2: The Blood by Marjorie Liu

adventurous dark medium-paced

• Plot- or character-driven? Character
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? It's complicated
• Flaws of characters a main focus? Yes

5.0

I am very slowly re-reading this series as what’s likely to be the vast majority of my comic consumption for the year. The deliberately slower pace is almost certainly a good decision, as it means this time around I’m actually appreciating the individual issues and volumes as, like, coherent works in and of themselves rather than just plunging through the entire backlog in one burst. 

This volume picks up after some indeterminate timeskip following the first one, opening with Maika Halfwolf, Kippa and Ren arrive in the (aspirationally) neutral port city of Thyria, trashing Maika’s mother’s apartments for clues on what she was researching when she died – and thus, hopefully, clues of Maika’s past and the whole eldritch symbiotic living in her soul that sometimes bursts out to eat people thing. The clues lead them to a cursed island where her mother travelled before she was born to question the god imprisoned within, where both she and Zinn (the aforementioned symbiote) are confronted with thoroughly unwelcome revelations about their pasts. Also so, so many people die. 

With the basic conceits of the setting and plot established in the first volume, this one is free to delve deeper in intricacies – the backstories and relationships various characters have to the world, and to a lesser extent the Deep Lore and metaphysics underlying the world (though that is still far less prominent than I recall it getting later). We learn what Zinn’s place in the society of the Monstrum was, and how they came to be trapped and embodied in the mortal world; we likewise learn quite a lot about Maika’s (terrible, horrible, very bad no good) family and childhood, and to a much lesser extent even a bit about what Master Ren got up to before the plot started. We also learn about several historical murders and genocides, and get out first real look at the Shaman Empress, one of the two historical incredibly powerful sorceresses who shaped the history of the world who I kept getting confused in my head when I read this series the first time. 

Buried in all the lore we do get a really amazingly realized journey to a creepy cursed island that is revealed to be the overgrown bones of a dead god on which another has been imprisoned for attempted geno- and mass filicide. Nothing about it breaking any new ground in the genre of creepy cursed jungle islands, but it was an exceptionally well-executed example of the form. 

But plot and lore aside this really is a character dynamics book – or, well, dynamic singular. Maika’s mom really fucked her up, basically. Not that it’s a good series for healthy parenting generally but discovering you only exist before your mom fucked a guy from a specific bloodline so she could have and use you as a moldable vessel for eldritch rituals has got to be up there, right? 

In particular, quite a lot of care and effort is spent on this has fucked Maika up. Basically her entire relationship with Kippa this volume could be cut out as a case study in cycles of abuse and how Maika both deeply resents and knows she was hurt by how her mother raised her but also literally doesn’t have any other model for how to take care of a kid than ‘teach her to swim by throwing her overboard and fishing her back out if it looks like she’s actually going to drown’ repeated ad nauseam. (It’s really very telling that Maika gets far more emotional warmth and physical affection from her godfather – self-described ‘murderous pirate’ – than she ever does from her mother). 

It’s far less salient than it will become later, but throughout the volume there’s also very much a secondary theme of what it means to leave with guilt. Or not even guilt so much as culpability – discovering that pre-amnesia you murdered your sibling because they opposed, coming to terms with the fact that your existence is essentially vampiric and your continued life requires the murder of others, a whole mess of dealing with betraying either relationships or principles when the two come in conflict. Not really doing anything with it yet, but the subject’s definitely getting raised. 

Anyway, everything I said about the art in my review of volume one still stands – easily the most beautiful comic series I’ve ever read. And if I remember right next volume is when my all-time favorite character gets introduced, so looking forward to it!