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A review by michellemaas
Cinderella Is Dead by Kalynn Bayron
adventurous
hopeful
inspiring
lighthearted
mysterious
relaxing
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
This book only deserved 2 stars (meaning it was okay), but the romance between Sophia and Constance was so good that it almost deserved a star all on its own.
In terms of this being a fairytale retelling, I will give props to Kalynn Bayron in saying that the premise was quite creative, but the execution ended up lacking. My biggest caveat is that I found the story dragging along often, especially in the beginning (keep in mind that this is a relatively short book, with my version having only been 299 pages). When your short book isn't fast-faced it is a recipe for disaster.
Another problem I had was with the foreshadowing being so heavy-handed. I can appreciate the author focusing on certain aspects so that big developments don't seem to come out of anywhere, especially when you are setting up a big plot twist at the end, but I feel that it was written so obviously that the ending lacked some of the impact it was aiming for.
The last thing I want to mention is the representation. I haven't seen many fantasy books with LGBTQ+ characters as the leads and that aspect was beautifully done. Sophia and Constance were just so perfect and had me fangirling since their first encounter. I also enjoyed the parallels of Erin and Constance since it is a parallel a lot of queer people have to deal with. Some more representation comes from our lead, Sophia, being a person of color. Again, I don't find that many books come out and say: My lead is a POC and I'm proud of that (it's always "olive-skinned") so I thought that was cool.
Ultimately I would recommend you read this because the representation is something else and it's important to support stories/authors with representation, but if you're just reading it for the plot you might be disappointed.
In terms of this being a fairytale retelling, I will give props to Kalynn Bayron in saying that the premise was quite creative, but the execution ended up lacking. My biggest caveat is that I found the story dragging along often, especially in the beginning (keep in mind that this is a relatively short book, with my version having only been 299 pages). When your short book isn't fast-faced it is a recipe for disaster.
Another problem I had was with the foreshadowing being so heavy-handed. I can appreciate the author focusing on certain aspects so that big developments don't seem to come out of anywhere, especially when you are setting up a big plot twist at the end, but I feel that it was written so obviously that the ending lacked some of the impact it was aiming for.
The last thing I want to mention is the representation. I haven't seen many fantasy books with LGBTQ+ characters as the leads and that aspect was beautifully done. Sophia and Constance were just so perfect and had me fangirling since their first encounter. I also enjoyed the parallels of Erin and Constance since it is a parallel a lot of queer people have to deal with. Some more representation comes from our lead, Sophia, being a person of color. Again, I don't find that many books come out and say: My lead is a POC and I'm proud of that (it's always "olive-skinned") so I thought that was cool.
Ultimately I would recommend you read this because the representation is something else and it's important to support stories/authors with representation, but if you're just reading it for the plot you might be disappointed.
Content Warnings
Moderate: Bullying, Child death, Confinement, Death, Emotional abuse, Homophobia, Misogyny, Physical abuse, Sexism, Toxic relationship, Violence, Death of parent, Murder, Lesbophobia, Gaslighting, Toxic friendship, Abandonment, and Injury/Injury detail