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A review by dustghosts
The 7½ Deaths of Evelyn Hardcastle by Stuart Turton
adventurous
challenging
dark
emotional
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
+ Beautiful turns of phrase, figurative language, the kind of writing that makes me want to also sit down and write
+ Satisfyingly cyclical, repetitive but full of just the right twists and turns that you want to keep reading to figure out what the exact same scene and setup looks like through a different set of eyes
+ Super exciting exploration and expansion of how to use POV to invoke emotion, tell a thrilling story, and string everything together
+ A very charming cast of absolutely unbearable little bastards; feels like you gain an evolving and empathetic understanding of each character with each new day
+ Despite the author’s sort of muddled/overly neutral comments in his own commentary, I find the book to be a pretty compelling allegory for and argument against the carceral state. The text itself feels distinctly poised against both the current prison system and the future potential for “mental imprisonment”.
- Some really egregious fatphobia that feels uncomfortable and gross to read, especially for a contemporary book. Not really skippable, either— while this character has other values to the narrative, fatness is treated as a debilitating moral failing reflective of character.
- So extremely British—
- Near the end, starts to feel as though things are being wrapped up too quickly, not quite as immersive as the rest of the book.For example, I think we’re supposed to interpret Annabelle before Blackheath as as heinous as Daniel, whose villainy we’ve watched develop and worsen throughout the week. But whoever she was before feels too simply and vaguely summarized in comparison to the blunt relaying of Daniels crimes throughout the rest of the book. I wish we could spend a little more time remembering WITH Aiden, though I suppose the pacing might suffer for that.
+ Satisfyingly cyclical, repetitive but full of just the right twists and turns that you want to keep reading to figure out what the exact same scene and setup looks like through a different set of eyes
+ Super exciting exploration and expansion of how to use POV to invoke emotion, tell a thrilling story, and string everything together
+ A very charming cast of absolutely unbearable little bastards; feels like you gain an evolving and empathetic understanding of each character with each new day
- Some really egregious fatphobia that feels uncomfortable and gross to read, especially for a contemporary book. Not really skippable, either— while this character has other values to the narrative, fatness is treated as a debilitating moral failing reflective of character.
- So extremely British—
- Near the end, starts to feel as though things are being wrapped up too quickly, not quite as immersive as the rest of the book.
Graphic: Animal death, Child death, Confinement, Death, Fatphobia, Gore, Gun violence, Suicide, Torture, Violence, Blood, Grief, Suicide attempt, Murder, Gaslighting, and Injury/Injury detail
Moderate: Addiction, Alcoholism, Body horror, Sexual assault, Sexual violence, Alcohol, and Classism
Minor: Body shaming, Child abuse, Drug abuse, Drug use, Infidelity, Mental illness, Rape, Self harm, Sexism, Vomit, Medical content, and Fire/Fire injury