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A review by erikars
A History of the Breast by Marilyn Yalom
3.0
Yalom presents us with an engaging look at the history of the breast. The arrangement is roughly chronological, but she breaks away from the straight chronological presentation to divide the chapters thematically, subsequently exploring the breast as sacred, erotic, domestic, political, psychological, commercial, medicalized, and liberated.
To a large degree, the story of the breast is the story of women. Thus, if you've read much along those lines, much of that will be familiar. Even so, I found much that was new to me. The chapter the medicalized breast, which included a history of breast cancer treatments, was educational (and heart wrenching, at times).
My main criticism of this book is that it is primarily a history of the western and mostly upper class breast as seen by men. The second and third criticism -- upper class and the male gaze -- are hardly Yalom's fault. In fact, one of her themes throughout the book is how it is only in recent decades that women's voices have been able to openly speak about the breast. Before that men often defined the societal meaning of the breast, just as they defined women. And since much of that definition was through art, paintings and poetry in particular, that vision tended to focuses on upper class women.
But I am surprised at the lack of non-western perspective, beyond a couple scattered remarks. Just as it was an "ah hah" moment for my really feeling that attractiveness is socially constructed when I learned that the ideal French medieval breast was small and high, it would have been even more perspective stretching to see views of the breast in cultures I am less familiar with.
Overall, this was an engaging read.
To a large degree, the story of the breast is the story of women. Thus, if you've read much along those lines, much of that will be familiar. Even so, I found much that was new to me. The chapter the medicalized breast, which included a history of breast cancer treatments, was educational (and heart wrenching, at times).
My main criticism of this book is that it is primarily a history of the western and mostly upper class breast as seen by men. The second and third criticism -- upper class and the male gaze -- are hardly Yalom's fault. In fact, one of her themes throughout the book is how it is only in recent decades that women's voices have been able to openly speak about the breast. Before that men often defined the societal meaning of the breast, just as they defined women. And since much of that definition was through art, paintings and poetry in particular, that vision tended to focuses on upper class women.
But I am surprised at the lack of non-western perspective, beyond a couple scattered remarks. Just as it was an "ah hah" moment for my really feeling that attractiveness is socially constructed when I learned that the ideal French medieval breast was small and high, it would have been even more perspective stretching to see views of the breast in cultures I am less familiar with.
Overall, this was an engaging read.