A review by fulltimefiction
The Descent of the Drowned by Ana Lal Din

4.0

When I first read the premise of The Descent of the Drowned, I was immediately intrigued. A book set in a colonized Indo-Persian world and inspired by pre-Islamic Arabian mythology? Please give it to me now. It is not every day that I come across a book inspired by a mix of different Asian cultures.

Before I start my review, I want to mention that this book contains many events that might upset certain readers. TW/CW (including but not limited to): rape (not explicit), self-harm (in the past), suicide, death of a parent, explicit violence, gore, drugs addiction (forced in a way), (child) sex and human trafficking, transphobia, and prostitution is one of the main plotlines.

The Descent of the Drowned tells the story of Roma who was dedicated to goddess Lamia since childhood and raised in the temple. In a world divided to zaat or castes, when the time comes, she’ll be auctioned to a patron – of the high zaat- to service him. But Roma always has hated how women had no voice, especially the sacred slaves of the goddess. Deserters are hunt down and killed. But she isn’t so ready to accept this fate.

On the other hand, we have Leviathan, the bastard son of the Firawn. Trained since childhood, he becomes one of the deadliest soldiers under the Firawn’s command -who by the way, is obsessed with harvesting magic.
Roma and Levi’s fate will interwind and shatter everything they know and change they know about themselves and their world.


I also want to express my love for Ana Lal Din’s intentions behind this book

“What I wanted was to spread awareness about the sacred prostitution, caste system, and half-creature perception and abuse of transgenders in South Asia; the ethnic cleansing of the Rohingya People; the exploitation of once-resourceful places like the Middle East and Afghanistan; the occupation of and war crimes against Palestine; and the human trafficking of adults and children across the globe.”


These are all important problems that I believe authors should use to raise awareness of them in their novels. I wish to see more books based on these issues because they deserve more attention. And honestly, it’s what I loved the most about this book. And the fact it’s written by a Muslim woman who wears hijab.



The plot:
I usually discuss the characters before moving to the plot but I believe this is important to put first. I honestly struggled with the first half. A lot. There was lots of unnecessary information and in my opinion, info dump, and the author was basically setting up the world to get the story moving at a later point. My other critic is that the blurb mentions an event that won’t happen until around 65% of the book. I kept waiting “okay now it’ll happen, maybe now, okay… Uhm how did someone include an event that won’t happen until much later?!”. And the thing is, this event set things into motion and the story improves considerably after it. I didn’t know how to describe the plot without mentioning any spoilers because anything that happened after the 10/20% mark is a spoiler and here nothing worthy happens in these pages… just a description of the world, culture, and clothes.

But worry not. The wait was worth it. Because when the pace picked up, it didn’t stop and I couldn’t put my kindle down. The revelations and plot twists were interesting and unexpected. The ending was great! Not exactly a cliffhanger but enough to leave you wanting more. When I was reading this arc, I skimmed over the history because I was getting tired of the pace, so a piece of advice, pay attention to it. I still understood what happened later but I’m also familiar with the history it’s inspired from.


The characters:
The characters were interesting to read about. Roma was strong-willed and rebellious. Always looking for a different life but they always use their beloved ones to punish any slave who misbehaves. And she won't let anything happen to her brother. But as Roma uncovers more about her reality, she fought back.

As for Levi, he was always struggling to be who his mother’s clan remember and not the cold-blooded killer his father wanted him to be. But after the massacres he committed, is it possible?

Both of our main characters suffer from trauma but I felt there was too much focus on it at times instead of trying to develop the story. I just didn’t feel it.
The secondary characters were many and I had a difficult time keeping up with them, even though I am familiar with several names. I had to visit earlier chapters because once I completely confused two characters (thinking they are the same person) because they have the same title (which I assumed was their name).

It is worth mentioning that this book is romance free, which I didn’t mind personally. There’s no romance between the main characters, only sparking chemistry, so I believe there will be in the future. I honestly don’t mind at all the slow burn.


The writing:
The Descent of the Drowned is not a light book. Don’t expect a fluffy read but a novel that deals with human cruelty, trafficking, and other heavy topics. Lal Din is without a talented writer. She did a good job reflecting human nature. How it's difficult to change what we believe in only because it's safer. But the writing honestly sometimes got too descriptive especially when it came to clothing items. And she used lots of foreign names (you can find most of their translation at the end of the book) and while it’s nice in theory, in reality, it bored me. A lot. I’m not particularly interested in this and the descriptions of other things were too detailed too sometimes that I kept losing interest and took more time to finish this book. Since the book is told from double perspectives and third person, it served into making this book more “serious”.

Also, I liked understanding words that were like “names” but actually meant something.
For example, Al-Mawt assassins means assassins of death, “Iblis” means satan, Nar is Fire which is like fires of hell (but not hell exactly here), and Al-Ghayb “the Unseen” which made sense. The author didn’t mess up the usage of the Arabic language. Thankfully.

But I have one tiny thing to mention.. so we have “Wallahi” used which is I swear to God like the translation points but it is God with capital G and not any “god” so I’m not sure how correct its usage here… there was one god for the clans but God is not in fantasy so…


The world-building:
The world was rich with culture and history. Lal Din painted a world where women were treated like second-class citizens, which is the reality in most societies today. But they are also fierce and hardened because of what they went through. The clans are not exactly part of the kingdom but they barely get by. Their children are dying from starvation and they do not have medicine and not even clean water to drink. And where do they live? In tents. As someone who has worked with refugees, it is all too obvious to me how their living circumstances would’ve been if NGOs and the governments didn’t provide any help (and even now they barely get by). Very similar to the clans you might say, especially if they didn’t have any human rights.

Another way Lal Din reflects reality is when the plot moves to the orphans disappearing from the streets. She made it one of the centers of her story. Children kidnapped and then brought and sold for their organs and for sex.

Levi’s mom was from the clans and hence he’s hated by the higher castes from being born from of “them” and many of his mother’s clans don’t consider him one of them because he is the blade of the Ferawn.

It honestly took me a longer time than usual to wrap my mind around all the gods, zaats, cultures, and religions. I think that’s because I was more like forcing myself to read in the first half where all these things were explained rather than eager to learn all about the world.

Sidenote: I also discovered something pretty called the Banyan tree. I’m no plants expert so I don’t know much, to begin with. One can even accommodate about 1000 people in its shade. Wow.

The magic system was vague and not very clear. I hope we'll get more explanation in the next book.


In sum, this was a heavy YA. This is not a fast read. I admire Ana Lal Din's goal to raise awareness on the issues mentioned above. Her writing skills are solid but I struggled with the pacing. The characters were interesting and flawed. The plot got considerably more interesting in part two. I’m looking forward to seeing what people think once this book comes out. I’ll also most likely read the sequel since this book felt more like a set up for the real deal.


Thanks to NetGalley and publishers for the arc in exchange for an honest review.