A review by bethsbookshelf
The Book of Form and Emptiness by Ruth Ozeki

challenging dark emotional funny reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

I think the theme of the novels I’m reading this year is: masterpieces. That’s what this is. It was absolutely stunning, mesmerising, heart-breaking, heart-healing, unique and all around lovely. It exposed so many harsh truths about American culture, grief, motherhood, boyhood, mental illness and love. And it did so in a way that felt like the author was poking holes in each theme, one tiny pinprick at a time, until what she had was fractures of light in a dark canvas, giving the reader hope by the end of the book, though not a complete and tied-up happy ending (because that wouldn’t be realistic). 

I tabbed so many sections of this book: favourite quotes, favourite parts, characterisation, magic, grief, objects, romance, and parenthood. These are what I considered to be the main themes throughout the book, told through the eyes of the book itself.

That’s probably what I loved most about this book: it was multi-perspective between Benny and the physical book you’re holding in your hands. The book gives you insights into what it’s like to be a book, to live in a library, a bookshelf, on someone’s bedside table. It’s absolutely stunning and I’ve never read anything like it.

I love this book because it is special. It’s something I felt I lived through, thanks to the fine details throughout. I will never forget it, and I’ll definitely pick up another Ozeki since I’ve loved both books of hers I’ve read so far. 

The pacing is deliberately slow, but that’s the only thing I had trouble with. I appreciate the pacing for what it is, but it really bogged me down sometimes. I couldn’t just read 10 pages here or there; I had to really carve out 30-120 minute reading sessions to enjoy what I was reading. I would have maybe fared better with the book had 100-150 pages been cut, but it’s not my story to tell, so I would never ask Ozeki to change it. But that is the reason for dropping half a star.

If you want something different, something raw and vulnerable, something magic, something sad, something that highlights what it’s like to be a mother, to be a son, to be tormented, to be called to do something - then this is the book for you. 

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