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A review by arisbookcorner
Rooftops of Tehran by Mahbod Seraji
4.0
I couldn't decide at first if this book was YA or adult, but I ended up classifying it as adult since the imprint the book was published under isn't YA. Plus Pasha seemed more like a vehicle for the author to use in order to express his views. Pasha seemed more mature than the average seventeen-year old guy, but maybe American male teenagers are just less mature than male teenagers in other countries? Obviously there are exceptions to that rule but I had a hard time believing Pasha was a teenager in high school. Especially when he's using extremely eloquent, flowery language such as "life was a random series of beautifully composed vignettes, loosely tied together by a string of characters and time." (pg. 4) I didn't like the Doctor storyline. I admire Doctor but I never got the feeling that Zari really loved him thus her devastating choice was harder to understand. The ending was satisfactory, there are some loose ends but such is life and there is supposedly a sequel being written which I would definitely read. Zari's choice is probably one of the best climaxes in a book I've ever read, it was unexpected and horrific. I honestly don't think any Westerner unfamiliar with the Middle East could see it coming. The book opens with Pasha in a mental hospital in 1974 and I flew through the book in an effort to discover why he was there.
This book provides a through view of life In one middle-class neighborhood in Tehran. Pasha is a voracious reader and it's both amusing and bemusing to read some of things he and his friends think about the U.S. His observations allow readers to compare the daily life of Iranians to daily life here, and things we take for granted, not just with amenities and freedoms but things like falling in love. "I read somewhere that people in the West, like in the U.S. and Europe, date for a long time before falling in love,' I say, restless with anxiety. [...]'But here in Iran, we look at someone, and we fall in love. All the girl has to do is smile, and we're swept off our feet. No dating, no getting to know each other, no real opportunity to get acquainted, do you know what I mean?'" (pgs.56-57) More than anything, the point is really reinforced that Iranians will bitter for quite some time at the U.S. for being STUPID enough to reinstate the Shah. Personally, I think it's one of our worst foreign policy blunders. In addition to the cultural tidbits, the book has the BEST best friend I've ever come across. I want an Ahmed in my life. He's gallant, rebellious tender and absolutely hilarious. I offer you a teaser "You're a good dancer', Faheemeh compliments him. [Ahmed]
'I had dance lessons from Tennessee Williams himself.'
'Tennessee Williams was not a dancer,' I [Pasha] argue.
'I tried to tell Tennessee that, but he wouldn't hear of it.'" Ahmed (pg. 67) I giggled at that line and any other time Ahmed opened his mouth. He's the type of friend that tries to make Pasha laugh through his tears and he avoids uncomfortable topics because he knows that he's basically the glue that keeps everyone together. If Ahmed cried, they would all be done. And there's lots of tears, Iranians mourn for a long time and in an elaborate, open, manner. They wail, tear at their clothes, etc. The author brings this vividly to life along with other elements of Iranian culture but at the heart of this novel is the painful, but oh-so-worth-it aspect of first love. I would recommend this to those who've fallen in love, are transfixed by the Middle East/Iran or just looking for a historical fiction romantic tragedy. But honestly, I'd recommend it to everyone, especially since we need to recognize and respect those who have That.
This book provides a through view of life In one middle-class neighborhood in Tehran. Pasha is a voracious reader and it's both amusing and bemusing to read some of things he and his friends think about the U.S. His observations allow readers to compare the daily life of Iranians to daily life here, and things we take for granted, not just with amenities and freedoms but things like falling in love. "I read somewhere that people in the West, like in the U.S. and Europe, date for a long time before falling in love,' I say, restless with anxiety. [...]'But here in Iran, we look at someone, and we fall in love. All the girl has to do is smile, and we're swept off our feet. No dating, no getting to know each other, no real opportunity to get acquainted, do you know what I mean?'" (pgs.56-57) More than anything, the point is really reinforced that Iranians will bitter for quite some time at the U.S. for being STUPID enough to reinstate the Shah. Personally, I think it's one of our worst foreign policy blunders. In addition to the cultural tidbits, the book has the BEST best friend I've ever come across. I want an Ahmed in my life. He's gallant, rebellious tender and absolutely hilarious. I offer you a teaser "You're a good dancer', Faheemeh compliments him. [Ahmed]
'I had dance lessons from Tennessee Williams himself.'
'Tennessee Williams was not a dancer,' I [Pasha] argue.
'I tried to tell Tennessee that, but he wouldn't hear of it.'" Ahmed (pg. 67) I giggled at that line and any other time Ahmed opened his mouth. He's the type of friend that tries to make Pasha laugh through his tears and he avoids uncomfortable topics because he knows that he's basically the glue that keeps everyone together. If Ahmed cried, they would all be done. And there's lots of tears, Iranians mourn for a long time and in an elaborate, open, manner. They wail, tear at their clothes, etc. The author brings this vividly to life along with other elements of Iranian culture but at the heart of this novel is the painful, but oh-so-worth-it aspect of first love. I would recommend this to those who've fallen in love, are transfixed by the Middle East/Iran or just looking for a historical fiction romantic tragedy. But honestly, I'd recommend it to everyone, especially since we need to recognize and respect those who have That.