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sarashakouri 's review for:
The Corrections
by Jonathan Franzen
In agonizing details, like a horrendous pointillistic picture, Franzen depicts a portrait of House Lambert, a nightmare of passive-aggressiveness, assholes and hollowed out papier-mache characters.
There are some strong brushstrokes here and there, but when you enter the playground belonging to Wallace and Pynchon, you definitely need a certain amount of genius to play along. Sorry Jonathan!
There are some strong brushstrokes here and there, but when you enter the playground belonging to Wallace and Pynchon, you definitely need a certain amount of genius to play along. Sorry Jonathan!