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bibliobethreads 's review for:
The Green Road
by Anne Enright
The Green Road is (I think) my first novel by Anne Enright although I've heard a lot of great things about her other novels, especially The Gathering which won the Man Booker Prize back in 2007 and is on my radar to read. The Green Road came to my attention when I attended the Baileys Women's Prize For Fiction 2016 shortlist readings as it was one of the short-listed books. After a reading from the novel, I was determined to check it out as the passage read was absolutely hilarious and made the audience howl. I'm eventually getting round to reading it (in early 2018 - shame on me!) and generally, I really enjoyed it but not quite as much as I was expecting to. This is a categorically Irish story about members of a typical Irish family and how the mother of this family copes when all her chicks fly the nest. It was gorgeously written and parts of it still play on my mind long after finishing, as do many of the characters.
Our story begins in 1980 and we follow the youngest daughter of this family, Hanna as a young girl. Furthermore, the following chapters follow a single character of the family in a different city at a particular struggle of their life. For example, the chapter immediately following Hanna is one of the sons, Dan in 1991, New York as he battles with the American way of life, finding a job and most importantly, his sexuality. Then we see the oldest daughter, Constance in 1997 as she is attending a very crucial hospital appointment, desperately worrying that she might have breast cancer. The penultimate chapter in the first half of the novel is the other son, Emmet in 2002 as helps the sick and injured in Mali, Africa and experiences difficulties in his relationship with a young woman. Finally we see the mother, Rosaleen in 2005 as she writes Christmas cards to her children, desperately hoping they will all come home for Christmas and worries that the relationships she has with them are all disintegrating. In the second half of the narrative, we see all the children back home with their mother for Christmas but realise how fractured their relationships and indeed their lives actually are.
Essentially, this is a quintessential family saga with all the major and minor dramas that large personalities in a family can bring. It's written at points almost like a stream of consciousness, particularly when characters are speaking to each other with classic Irish phrasing and slang. I loved this latter part, it was so visceral I could almost imagine myself in Ireland, listening to people speaking but unfortunately the stream of consciousness part didn't work so well for me, it was sometimes a bit difficult to follow and it made me want to skip entire parts of the narrative. However, I was surprised at the range of emotions this novel elicited from me. I felt such sadness for Constance when she was in the hospital and for Hanna as she struggled with alcohol, her relationship with her husband and being a mother of a young baby (potentially post-natal depression?).
I was also touched by Dan's story as he was so horribly determined not to be homosexual in the beginning but ended up finding happiness, and of course Emmet and the good he did in Africa whilst never really managing to love anyone. As I'm writing this, I'm remembering how wonderful parts of this novel really were but unfortunately there were other parts that I didn't love so much and just didn't flow for me the way I wanted. Perhaps from the reading I mentioned early at the Baileys short-list event I was expecting this novel to be a lot funnier that it actually was and wasn't anticipating the seriousness I discovered so was slightly taken aback. That's not to say I didn't enjoy this novel, I did very much but I think expectations are strange things and I am a bit of a slave to them, once I've made up my mind how I might feel about a novel prior to reading it. Nevertheless, I was pleasantly surprised by the slow pace and the intricate character studies which I always appreciate in a good literary fiction.
For my full review and many more please visit my blog at http://www.bibliobeth.com
Our story begins in 1980 and we follow the youngest daughter of this family, Hanna as a young girl. Furthermore, the following chapters follow a single character of the family in a different city at a particular struggle of their life. For example, the chapter immediately following Hanna is one of the sons, Dan in 1991, New York as he battles with the American way of life, finding a job and most importantly, his sexuality. Then we see the oldest daughter, Constance in 1997 as she is attending a very crucial hospital appointment, desperately worrying that she might have breast cancer. The penultimate chapter in the first half of the novel is the other son, Emmet in 2002 as helps the sick and injured in Mali, Africa and experiences difficulties in his relationship with a young woman. Finally we see the mother, Rosaleen in 2005 as she writes Christmas cards to her children, desperately hoping they will all come home for Christmas and worries that the relationships she has with them are all disintegrating. In the second half of the narrative, we see all the children back home with their mother for Christmas but realise how fractured their relationships and indeed their lives actually are.
Essentially, this is a quintessential family saga with all the major and minor dramas that large personalities in a family can bring. It's written at points almost like a stream of consciousness, particularly when characters are speaking to each other with classic Irish phrasing and slang. I loved this latter part, it was so visceral I could almost imagine myself in Ireland, listening to people speaking but unfortunately the stream of consciousness part didn't work so well for me, it was sometimes a bit difficult to follow and it made me want to skip entire parts of the narrative. However, I was surprised at the range of emotions this novel elicited from me. I felt such sadness for Constance when she was in the hospital and for Hanna as she struggled with alcohol, her relationship with her husband and being a mother of a young baby (potentially post-natal depression?).
I was also touched by Dan's story as he was so horribly determined not to be homosexual in the beginning but ended up finding happiness, and of course Emmet and the good he did in Africa whilst never really managing to love anyone. As I'm writing this, I'm remembering how wonderful parts of this novel really were but unfortunately there were other parts that I didn't love so much and just didn't flow for me the way I wanted. Perhaps from the reading I mentioned early at the Baileys short-list event I was expecting this novel to be a lot funnier that it actually was and wasn't anticipating the seriousness I discovered so was slightly taken aback. That's not to say I didn't enjoy this novel, I did very much but I think expectations are strange things and I am a bit of a slave to them, once I've made up my mind how I might feel about a novel prior to reading it. Nevertheless, I was pleasantly surprised by the slow pace and the intricate character studies which I always appreciate in a good literary fiction.
For my full review and many more please visit my blog at http://www.bibliobeth.com