A review by peggychecksitout
The Starless Sea by Erin Morgenstern

adventurous hopeful inspiring mysterious reflective medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

5.0

The Starless Sea is an ode to stories; it is about why stories and storytelling are important, as much as it is about those who love stories and why they do. And while it points out the whys and wherefores of storytelling, it also shows you the how of storytelling; this book is quite meta. You, dear reader, are reading a book, about a character who is also reading a book, in which there is a story about himself. As you continue reading, you also get to read all the stories in the book that he is reading, while reading about him reading them, and while he is trying to solve the mystery that connects all these stories to the larger mystery surrounding his current predicament, you are too. Morgenstern isn’t afraid to show her authorial fingerprints upon the story— and that’s part of the point here: a book is someone telling you a story—there is a storyteller always present that is not just the protagonist. 

As far as plot goes, it certainly doesn’t unfold in a linear fashion—I would probably describe it as almost labyrinthine, or maybe not unlike nesting dolls; stories within stories. I could even call it kaleidoscopic—fragments of seemingly disparate stories that come together at the end to form a pattern that we can behold for a beautiful moment, before it all changes. And change it does, as we are reminded throughout the book, what is a story, if not change?


This book also shows off Morgenstern’s greatest strengths: her world-building and her prose. Morgenstern can write; her prose is simply gorgeous. It is in turns whimsical, magical, dreamlike and playful. The images she conjures on these pages are nothing short of being frankly, almost tangible—sort of like waking up with your last dream still dancing around in your head before it softly fades with the intrusion of the morning light. There’s a definite fairy-tale vibe to the entire book, that again, goes along with the greater themes about storytelling. I think anyone who is a lover of books has dreamed, at least once, of stumbling across a doorway that leads to a magical library, and reading this book certainly makes me daydream about that scenario all the more. 


If I had a quibble with anything, I would say the character work in this book isn’t the strongest, but I do think it’s still purposeful. The characters aren’t super fleshed out, instead, they have the same quality that characters in a fairy-tale do—they are there to serve the story, to supply metaphor and archetypes and literal anthropomorphic personifications of concepts, more than give us in-depth character studies, or feel like real people. This is okay to a certain extent, but it does mean that if your entry point into a story is through character, this might not be the book for you. There were moments towards the end of the story that didn’t hit quite as hard as I wished they would have, had the characters and their relationships to each other had a chance to be more drawn out. 



It took me the better part of a week to read through it, but this book is a book that rewards you with slowing down and taking your time to read it, to really savour the stories within, and soak in all of its beautiful magic. It’s also, as I have now discovered, very wonderfully re-readable, where you can pick up on threads and clues you missed the first time around. 



On the whole, my re-read of this book has cemented it as a forever favourite of mine. In fact, I have a quote from the book I would love to have a tattoo of one day, and there are ungodly things I would do for a ttrpg of The Starless Sea; there’s so much you could do with the Harbour alone—book themed dungeon crawls for daaaaaaays.

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