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A review by jonmayb
Cien años de soledad by Gabriel García Márquez
challenging
dark
mysterious
reflective
slow-paced
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.0
I read this book in Spanish, knowing that it would allow me to get the most out of it possible, and I certainly feel as though I did. This book could certainly be considered an incredible feat of literature, and I recognise its worthiness of the Nobel, but I don't think this was the right book for me. However, I will note, this is certainly a book I'll likely be able to get more out of on a reread.
Spanning six generations of the Buendía family, Gabriel García Marquez exhibits breathtaking world-building. Throughout approximately 500 pages of beautiful, although, at times annoyingly convoluted prose, the town of Macondo, from its establishment, to its dissipation, comes to feel real. Additionally, I found the themes of history repeating itself to be really compelling, as well as the terms of forgetfulness and belief. The part towards the end of the novel where Aureliano Babilonia is walking through Macondo only to find that to be particularly compelling. The prevalence of ghosts and spirits in this book, and their presence as something simply accepted, and not viewed as otherwordly also made for an interesting read. The reappearance of Melquíaldes and his scrolls throughout the work served as an interesting link between generations, as did the theme of solitude.
However, despite being able to recognise this work's merits, I found it to be a nearly unbearable read at times. While Gabriel García Marquez's prose was incredible, and I'm very grateful to have opted to read this work in Spanish, as I mentioned before, it was extremely convoluted at times. Sentences dragged on, changing topics and points of views multiple times within them. At one point, I found a sentence that lasted three and a half pages and had 992 words in it.
Nonetheless, I found this book to overly rely on the abuse of women as a plot device. While, unfortunately, domestic and sexual abuse was something common during this book's time period, the way García Marquez describes them leaves a lot to be desired; sexual abuse tends to be written quite light-heartedly, in a manner in which women are portrayed as becoming near accomplices in it.
Additionally, aside from the interesting points it touches upon, and the genuinely profound themes of forgetfulness, belief, and such, I found this book to feel mostly artificially profound. Many of the more absurd events were seemingly crafted to just require the reader to extract their own meaning from it. For example, when . Even in many reading guides I found, multiple interpretations were put forth, or otherwise didn't present an interpretation at all.
To be honest, I had to claw my way through this book. Even though I can recognise that it was written that way intentionally, I disliked how characters simply floated in and out of relevance. However, upon finishing it, struck by the novel's ending, all my feelings of dislike for the book got obscured. Reflecting upon the book, it's difficult to consider how I would rate it, even remembering how much I struggled to get though it.
Spanning six generations of the Buendía family, Gabriel García Marquez exhibits breathtaking world-building. Throughout approximately 500 pages of beautiful, although, at times annoyingly convoluted prose, the town of Macondo, from its establishment, to its dissipation, comes to feel real. Additionally, I found the themes of history repeating itself to be really compelling, as well as the terms of forgetfulness and belief. The part towards the end of the novel where Aureliano Babilonia is walking through Macondo only to find that to be particularly compelling. The prevalence of ghosts and spirits in this book, and their presence as something simply accepted, and not viewed as otherwordly also made for an interesting read. The reappearance of Melquíaldes and his scrolls throughout the work served as an interesting link between generations, as did the theme of solitude.
However, despite being able to recognise this work's merits, I found it to be a nearly unbearable read at times. While Gabriel García Marquez's prose was incredible, and I'm very grateful to have opted to read this work in Spanish, as I mentioned before, it was extremely convoluted at times. Sentences dragged on, changing topics and points of views multiple times within them. At one point, I found a sentence that lasted three and a half pages and had 992 words in it.
Nonetheless, I found this book to overly rely on the abuse of women as a plot device. While, unfortunately, domestic and sexual abuse was something common during this book's time period, the way García Marquez describes them leaves a lot to be desired; sexual abuse tends to be written quite light-heartedly, in a manner in which women are portrayed as becoming near accomplices in it.
Additionally, aside from the interesting points it touches upon, and the genuinely profound themes of forgetfulness, belief, and such, I found this book to feel mostly artificially profound. Many of the more absurd events were seemingly crafted to just require the reader to extract their own meaning from it. For example, when . Even in many reading guides I found, multiple interpretations were put forth, or otherwise didn't present an interpretation at all.
To be honest, I had to claw my way through this book. Even though I can recognise that it was written that way intentionally, I disliked how characters simply floated in and out of relevance. However, upon finishing it, struck by the novel's ending, all my feelings of dislike for the book got obscured. Reflecting upon the book, it's difficult to consider how I would rate it, even remembering how much I struggled to get though it.
Content Warnings
Graphic: Sexual harassment, Suicide attempt, Rape, Adult/minor relationship, Incest, Pedophilia, and Sexual content
Moderate: War