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A review by justmys
Babel by R.F. Kuang
challenging
dark
emotional
informative
mysterious
reflective
sad
tense
slow-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.75
…ok. So. Let me just say, the concept, themes and the way the fantastical elements of the world were woven in amongst real world history and colonialism were masterful. Truly. The love, care and passion that went into the building of those portions of the book were truly jaw dropping.
Kuang’s level of intelligence and brilliance surrounding etymology and translation and her immense skill at bringing issues that are still horrifyingly prevalent in the world to the forefront of the story through a powerful lens were a true gift to read and will be staying with me for a long time to come.
And that’s where my 2.75 stars go. That side of this novel was an astounding piece of work. Unfortunately, the rest of the book had to be consumed alongside it.
I was told that the beginning of this book is slow. For me, the beginning ended up being the first 328 pages. And this is a heavy read to begin with.
I found all of the characters within the book shallow and underdeveloped. So much of their lives and interactions were glossed over. Flashbacks or explanations for their behaviour and decisions were often sewn into the book through footnotes giving them the feeling of an afterthought. I spent the entire time wishing this book would have been at least a duology so as to have given room for us to actually get to know the characters as people, and not just awkward stunted players in a black box theatre production.
The main female characters, Victoire and Letty, were often left T-posing in the corner of scenes, utterly forgotten in place of their male counterparts. When they were used (which was woefully little) they either felt like the author didn’t know their character (as with Victoire) or were an absurd cartoonish creation (as with Letty).
Despite the overall themes being interesting I did feel like I was being smacked over the head with the book at times whilst being asked, “Do you get it? Do you understand? Do you even comprehend yet?” which got exhausting because I don’t think I’m as stupid as this book thinks I am.
This book would have been so much more interesting if the lectures had been edited down somewhat in order to give room for character exploration. I’m certain the characters could have been truly loveable if they had been allowed to exist outside of a 2D space. I said to friends that this book had scope to be up there with Six of Crows or Lies of Locke Lamora if only the characters that inhabited the world were given the same love and detail as the world was.
I do want to give this author another chance so will likely read more of her work in the future. There were so many moments where I was sure I could have fallen in love with her writing if only given more to work with.
Kuang’s level of intelligence and brilliance surrounding etymology and translation and her immense skill at bringing issues that are still horrifyingly prevalent in the world to the forefront of the story through a powerful lens were a true gift to read and will be staying with me for a long time to come.
And that’s where my 2.75 stars go. That side of this novel was an astounding piece of work. Unfortunately, the rest of the book had to be consumed alongside it.
I was told that the beginning of this book is slow. For me, the beginning ended up being the first 328 pages. And this is a heavy read to begin with.
I found all of the characters within the book shallow and underdeveloped. So much of their lives and interactions were glossed over. Flashbacks or explanations for their behaviour and decisions were often sewn into the book through footnotes giving them the feeling of an afterthought. I spent the entire time wishing this book would have been at least a duology so as to have given room for us to actually get to know the characters as people, and not just awkward stunted players in a black box theatre production.
The main female characters, Victoire and Letty, were often left T-posing in the corner of scenes, utterly forgotten in place of their male counterparts. When they were used (which was woefully little) they either felt like the author didn’t know their character (as with Victoire) or were an absurd cartoonish creation (as with Letty).
Despite the overall themes being interesting I did feel like I was being smacked over the head with the book at times whilst being asked, “Do you get it? Do you understand? Do you even comprehend yet?” which got exhausting because I don’t think I’m as stupid as this book thinks I am.
This book would have been so much more interesting if the lectures had been edited down somewhat in order to give room for character exploration. I’m certain the characters could have been truly loveable if they had been allowed to exist outside of a 2D space. I said to friends that this book had scope to be up there with Six of Crows or Lies of Locke Lamora if only the characters that inhabited the world were given the same love and detail as the world was.
I do want to give this author another chance so will likely read more of her work in the future. There were so many moments where I was sure I could have fallen in love with her writing if only given more to work with.
Content Warnings
Graphic: Body horror, Bullying, Child abuse, Chronic illness, Death, Drug abuse, Drug use, Emotional abuse, Gore, Physical abuse, Racial slurs, Racism, Sexism, Suicidal thoughts, Suicide, Torture, Blood, Grief, Medical trauma, Death of parent, Murder, Cultural appropriation, Gaslighting, Alcohol, Sexual harassment, Colonisation, and Injury/Injury detail
Moderate: Addiction, Drug abuse, Drug use, Gun violence, Panic attacks/disorders, Slavery, Torture, Vomit, Religious bigotry, Fire/Fire injury, Toxic friendship, Abandonment, and Deportation