fictionfan 's review for:

Forty Acres by Dwayne Alexander Smith
5.0

The sins of the fathers...

When up-and-coming lawyer Martin Grey is hired to fight a racial prejudice lawsuit against a big corporation, he finds himself up against a fellow black lawyer, the slick and successful Damon Darrell. Pulling off a shock victory, Martin is surprised when Darrell shows up at the celebration party and begins to draw Martin into his circle of exclusively black friends. As well as growing to like Darrell, Martin sees how useful these successful and powerful men could be to his career so, although his white partner is a bit miffed at being excluded from the charmed circle, Martin allows himself to be flattered by their attention. So although he’s not an outdoorsy type, he agrees to join them on one of their regular white-water rafting trips. But as he’s enjoying the journey aboard the luxurious private jet, Martin suddenly realises they’re not heading in the direction he was expecting…

In some respects, this could be seen as a fairly standard thriller – good guy, villains, jeopardy etc. But the underlying premise is much more thought-provoking and quite disturbing. The title refers to the promise made to emancipated slaves that each would be given forty acres and a mule – a promise subsequently broken. Martin soon discovers that the group he has joined is something of a cult, under the leadership of the guru-like Dr Kasim, dedicated to taking revenge for the cruelties and inhumanities their forebears were subjected to under slavery. My first feelings were that it was all too far-fetched, that these men would not be angry enough several generations on, and that their actions were too extreme. But each time I halted from the book and looked at the news, we were seeing pictures of race-related violence on the streets of Missouri, and that added a certain chilling possibility to the whole concept, and a feeling that, as a Brit, I can’t really know just how deep (or otherwise) the racial divide still is in the US. (That’s not to make any kind of smug point – we have our own race issues over here, too.)

There is some pretty graphic violence in the book, but it isn’t gratuitous. It is portrayed powerfully, but with a degree of restraint – it is clear that the author was trying to avoid being overly sensationalist in this regard, on the whole successfully. Martin is a very credible hero – we see him move gradually from feeling flattered by the attentions of these powerful men, to being confused and bemused, and finally to having to face some agonising moral dilemmas as he tries to work out what is the right thing to do. A modern, liberal, successful black man, he feels he’s moved on from the legacy of the past, but we see how close to the surface his sense of grievance still is in the hands of a clever manipulator, how easily he can be roused to anger and a desire for vengeance. It’s not only Martin’s life that is in danger, but his character – his own sense of who he is and who he should be.

There were some flaws in the book. It took a little too long to get going, and I continued to feel that these successful men wouldn’t have been so easily influenced by the somewhat simplistic spoutings of old Dr Kasim. I also felt the portrayal of the wives was somewhat old-fashioned, with most of them appearing to care only about manicures and hairdos, and which restaurant they would lunch in. (But maybe rich men really do still marry trophy brides!) But these flaws were minor in comparison to the strength of the main thrust of the story and in the second-half of the book, Smith built the tension very skilfully towards an explosive thriller ending. A layered book that kept me struggling throughout with the same moral questions as Martin had to face and finally left me feeling uncomfortable, as the author surely intended. One of the best thrillers of the year for me, and undoubtedly the most thought-provoking.

NB This book was provided for review by the publisher, Faber & Faber.

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