Scan barcode
A review by magellen
House of Salt and Sorrows by Erin A. Craig
adventurous
challenging
dark
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.0
This book wants to be too many things at once and only succeeds marginally at tying them all together. It is certainly a romance with gothic tones rather than a gothic, and the chapter content splits between the romance and plot to the point you can nearly skip whole chapters of purple prose. Bloated though it is, there are some very nice creepy moments - that are immediately scuppered because it's time to pivot the plot again!
The twist on a twist on a twist just...it feels like a beta reader should have gone 'this one works the best, lean into THIS angle' and instead the author piled up everything that ever crossed her mind. The cast sprawls, the descriptions drag on without being punchy, and any moment the mc knows herself is overridden, made malleable by others to progress the plot.
I've seen this described as an example of unreliable narrator - ehhhh I disagree. Literally all you need to know is in the narration. Information is not withheld by the narrator, the narrator's opinion does not color the facts, there is nothing unreliable about it. If people use 'unreliable narrator' I can see it applied to a couple endgame chapters where there's a gaslighting, but again, it's not unreliable narration, it is an mc set up to have no self when challenged by others.
It's a ya romance with gothic overlay. Does what it says on the tin, but by the end you are apt to be exhausted by the pivot twist pivot turn of the back third.
The twist on a twist on a twist just...it feels like a beta reader should have gone 'this one works the best, lean into THIS angle' and instead the author piled up everything that ever crossed her mind. The cast sprawls, the descriptions drag on without being punchy, and any moment the mc knows herself is overridden, made malleable by others to progress the plot.
I've seen this described as an example of unreliable narrator - ehhhh I disagree. Literally all you need to know is in the narration. Information is not withheld by the narrator, the narrator's opinion does not color the facts, there is nothing unreliable about it. If people use 'unreliable narrator' I can see it applied to a couple endgame chapters where there's a gaslighting, but again, it's not unreliable narration, it is an mc set up to have no self when challenged by others.
It's a ya romance with gothic overlay. Does what it says on the tin, but by the end you are apt to be exhausted by the pivot twist pivot turn of the back third.
Content Warnings
Graphic: Body horror, Death of parent, Emotional abuse, Gaslighting, Mental illness, Murder, Pregnancy, and Grief