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A review by pleforge
1222 by Anne Holt
The first interesting thing I want to mention is that Anne Holt’s series is listed as The Hanne Wilhelmsen Novels. Not The Hanne Wilhelmsen Mysteries or The Hanne Wilhelmsen Adventures. The publisher—a traditional mainstream press—wants us to view these books as literary. In other words, something above the more lightly taken mystery genre, and certainly above the lesbian mystery subgenre. This is a bit troubling. Although I don't question the fact that books labeled "of lesbian interest" will sell more than those that are, it gives the mistaken and still-perpetuated notion that lesbian mysteries are inferior.
Holt is a good writer, though; way better than the average, and 1222 is an exciting and suspenseful novel that fits squarely into the class of Scandinavian writers like Jo Nesbo, Stieg Larsson, and Hennng Mankell. I generally read the first book in a series first, but for some reason, 1222 was the only one that was affordable. This may have helped this review, because I suspect that the protagonist, Hanne Wilhelmsen, has changed greatly since her inception over twenty years previous. This Hanne is someone who wants to be left alone to suffer a crippling disability without having people stare at her or offer sympathy.
She is on a train trip to see a specialist in a northern city in Norway when her train derails during a fierce storm and all the passengers are forced to wait for help in a nearby hotel. Then the storm turns into an actual hurricane, threatening the hotel itself. Then someone is killed. Although Hanne has no desire to participate in finding the killer, she seems to be the only one who can.
The mystery is actually set up as a veritable whodunit—with the reader getting clues as Hanne gets them. And I suspect that when she gets the final clue, the reader will guess the murderer at the same time Hanne does. This spoils nothing. The setting—a hundred-year-old resort hotel, the varied and well-drawn characters, and the dangerous story, would be worth reading about even if there were no mystery at all. The truth is, I felt like I had been put through a ringer—a very cold one—before I had even finished half of this entertaining novel.
Although Hanne seems to identify as a lesbian, there is no sex in this book, nor is there any attempt to feature a gay lifestyle in any of the characters or even in Hanne’s inner thoughts. I suspect I will have to read some of the initial offerings in this series to learn more about this side of Hanne’s life.
Quibbles aside, I would give this book high marks (if I gave marks at all). At least as high as a 4 and maybe higher. Certainly high enough to make my Top 20.
Note: This review is included in my book The Art of the Lesbian Mystery Novel, along with information on over 930 other lesbian mysteries by over 310 authors.
Holt is a good writer, though; way better than the average, and 1222 is an exciting and suspenseful novel that fits squarely into the class of Scandinavian writers like Jo Nesbo, Stieg Larsson, and Hennng Mankell. I generally read the first book in a series first, but for some reason, 1222 was the only one that was affordable. This may have helped this review, because I suspect that the protagonist, Hanne Wilhelmsen, has changed greatly since her inception over twenty years previous. This Hanne is someone who wants to be left alone to suffer a crippling disability without having people stare at her or offer sympathy.
She is on a train trip to see a specialist in a northern city in Norway when her train derails during a fierce storm and all the passengers are forced to wait for help in a nearby hotel. Then the storm turns into an actual hurricane, threatening the hotel itself. Then someone is killed. Although Hanne has no desire to participate in finding the killer, she seems to be the only one who can.
The mystery is actually set up as a veritable whodunit—with the reader getting clues as Hanne gets them. And I suspect that when she gets the final clue, the reader will guess the murderer at the same time Hanne does. This spoils nothing. The setting—a hundred-year-old resort hotel, the varied and well-drawn characters, and the dangerous story, would be worth reading about even if there were no mystery at all. The truth is, I felt like I had been put through a ringer—a very cold one—before I had even finished half of this entertaining novel.
Although Hanne seems to identify as a lesbian, there is no sex in this book, nor is there any attempt to feature a gay lifestyle in any of the characters or even in Hanne’s inner thoughts. I suspect I will have to read some of the initial offerings in this series to learn more about this side of Hanne’s life.
Quibbles aside, I would give this book high marks (if I gave marks at all). At least as high as a 4 and maybe higher. Certainly high enough to make my Top 20.
Note: This review is included in my book The Art of the Lesbian Mystery Novel, along with information on over 930 other lesbian mysteries by over 310 authors.